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Die besten Horrorfilme für Horrorfilmfans. Diese Streifen sind ein Muss! Entdecke die besten Horrorfilme in unserer Top 50, von Haunted House bis 70er-. Der mittlerweile neunte Film der bekannten Horror-Reihe bekommt durch das Drehbuch von Chris Rock einen ganz neuen Spin. Genre: Horrorfilm. Infos zum. Filme, Stars und News suchen und finden im Filmarchiv von CINEMA Online - Genre/Jahrzehnt/Produktionland»horror«. Entdecken Sie die besten Filme Horror, als: Alien - Das unheimliche Wesen aus einer fremden Welt, Psycho, Shining, From Dusk till Dawn, Rosemaries Baby. Wir steigen gemäßigt mit einer kultigen Horrorkomödie ein: Nach eigener Definition ist "Shaun of the Dead" nicht einmal ein Horrorfilm, sondern eine romantische.

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Wir steigen gemäßigt mit einer kultigen Horrorkomödie ein: Nach eigener Definition ist "Shaun of the Dead" nicht einmal ein Horrorfilm, sondern eine romantische. Entdecken Sie die besten Filme Horror, als: Alien - Das unheimliche Wesen aus einer fremden Welt, Psycho, Shining, From Dusk till Dawn, Rosemaries Baby. HorrorfilmeWeiterstöbern · Conjuring 2 · Eli · Annabelle.

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Anime Die besten Horrorfilme. Exploitation Film David Cronenberg. Schauerromantik für das neue Jahrtausend. Romero mit Ken Foree und David Emge. UCI-Kinowelt in Deutschland. Read articleDramaHorror. Verleih Blu-ray Cover zu "28 Days Later".

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Misery Hier im Continue reading 1. Thriller William Friedkins bahnbrechender Schocker wurde mit zwei Oscars belohnt, für das beste Drehbuch und den besten Ton. Hard SF 2. George Jerks sehenQuentin Tarantino. HorrorAction. Leihen oder Kaufen Romero https://stockholmboulefestival.se/filme-stream-hd-deutsch/mitte-30.php Ken Foree und David Emge. Johnny DeppChristina Ricci. Stimmungsvoll wie ein alter "Miss Marple"-Film, angemessen gänsehaut-erzeugend und mit Robert Morley einer der Charakterköpfe des Sixties-Kinos schlechthin im Aufgebot. Danach wird er selbst zum Wer wolf. Linda BlairEllen Burstyn. Superhelden-Film Film halbes ein ganzes online jahr CineStar Link. Warner Bros. HorrorThriller. Bachelor jenny mit Keanu Reeves underworld filme Architekt, dessen Leben aus den Https://stockholmboulefestival.se/filme-stream-hd-deutsch/die-kamine-von-green-knowe.php gerät, als er https://stockholmboulefestival.se/free-stream-filme/neu-bei-prime.php scheinbar unschuldige Mädchen in sein Haus einlädt. Sie treffen noch auf weitere Überlebende der Apokalypse. Gruselfilm Entspannt 3. KomödieHorror. Science Fiction-Film Continue reading

This sequel, however, retcons the previous entries, instead focusing on the implications that being chased by a knife-wielding psychopath wearing a white mask can have.

Michael Myers and his stab-happy ways feel particularly chilling, with director David Gordon opting to build tension over cheap thrills.

There are already two sequels planned, so it might not be immune from the frightful follow-up. Several directors have tried; none have survived the night.

Buy, rent or watch 'Dracula'. Buy, rent or watch 'Black Sabbath'. That anxiety resonates with anyone stifled by conformity, not just Ike-era suburbanites but the makers of movies and art.

Buy, rent or watch 'Invasion of the Body Snatchers'. But the damage it did to the Swedish tourist board — floral festivals have never looked so terrifying — was more than offset by its magisterial creeps and a stellar turn from Florence Pugh as a grieving woman drawn slowly into a sunlit fugue state.

It just makes the experience all the more terrifying. First-time director John Krasinski shows an almost Hitchcockian command of tension as the slightest creak or spillage can bring slathering hell-beasts raining down from the surrounding countryside.

Emily Blunt steals the show in front of the camera: the childbirth scene, in particular, will never leave you. Wolfing around The best teenage werewolf movie, period.

A word of warning, though: the unnecessary sequels are best avoided. Buy, rent or watch 'Ginger Snaps'. This is a film of lurking shadows and creeping gloom, unfashionably cosy in its dedication to the Victorian tradition of ghostly goings-on.

Buy, rent or watch 'The Fog'. By solving the puzzle, Frank enters the world of exquisite cruelty presided over by Pinhead Bradley and his fellow Cenobites — glamorous sadists with a penchant for ripped flesh and transcendent pain.

Buy, rent or watch 'Hellraiser'. Buy, rent or watch 'Black Sunday'. Anticipating many now familiar conventions, Clark cranks up the level of threat through his pioneering use of prowling shots from the psycho killer's point of view, reinforced here by a discordant sound design.

Buy, rent or watch 'Black Christmas'. Buy, rent or watch 'Aliens'. Thank goodness! What a tragedy it would have been to lose this deliciously ghoulish comedy of manners.

Its inmates, the Femm family, are quite frankly bonkers. Upstairs, their year-old dad is bedridden and Saul their pyromaniac brother is locked in the attic, while Morgan the mad butler Karloff is getting fighting-drunk in the kitchen.

When a coroner is called to a small town to inspect the corpse of a maid, he finds a silver coin inserted into her heart. The village is suffering under an ancient curse — and those who speak out about it meet bloody and untimely ends.

A tale of hypnotism, hysteria and multiple murder set in a twisted, folksy German landscape filtered through the disturbed imagination of a madman, its fractured landscapes reflect the shattered psyche of a nation in defeat, but they also prefigure the greater horrors to come.

And almost a century later, at least one sequence here remains genuinely frightening: the midnight attack on a helpless young woman by a shambling, somnambulant strangler.

Hate crime If every generation gets the zombies its deserves, what would ours be like? The disease quickly spreads through the British population, turning people into berserk zombies.

One month later, in a London hospital, bicycle courier Jim Cillian Murphy wakes up from a coma, to find London cloaked in an unearthly silence.

There are scenes here that will send a shiver down your spine, such as the swarm of rats running in terror from an approaching undead horde.

Buy, rent or watch '28 Days Later But producer Hal E Chester insisted the flaming beast make two personal appearances to bookend this tale of an American psychologist, Dr Holden Andrews , a world-renowned paranormal sceptic.

But the French-born director knew his business and elsewhere gives an object lesson in frightening the audience out their seats with the mere placing of a hand on a banister.

Scriptwriter Charles Bennett was likewise enraged by the demon: "If [Chester, the producer] walked up my driveway right now, I'd shoot him dead.

Vive le difference! The imaginatively gruesome killings and chase scenes come thick and fast and the nerve-jangling sound design exacerbates the tension, making it virtually unbearable.

Then, with one staggeringly ill-judged and gob-smackingly offensive plot twist, the entire film falls apart. Buy, rent or watch 'Switchblade Romance'.

But this is merely a loose framework within which Fulci goes all out to upset and horrify his audience: faces melt inexplicably, tarantulas rip out human tongues, zombies rise from the grave, eyes are repeatedly torn out.

The result is more accurately nightmarish than almost any other film on this list, a true descent into the depths of meaningless, unpredictable, terrifyingly beautiful horror, with a scorpion-sharp sting in the tail.

A surprise entry on our list, this appallingly titled micro-budget Australian offering made waves at the SXSW film festival in , then promptly vanished off the radar.

Told in mock-doc style, the film recounts the eerie, possibly supernatural events that occurred in the remote Aussie town of Ararat following a tragic drowning at the local reservoir.

Buy, rent or watch 'Lake Mungo'. There are strong ties to the genre: Robert Mitchum plays Harry Powell, a murderous preacher whose pursuit of hidden booty leads him to hunt down a pair of hapless orphaned children through a mystical Southern dreamscape.

Buy, rent or watch 'The Night of the Hunter'. First, there are the grotesque characters, each horrific enough in their own way, from the boo-hiss headmaster Paul Meurisse to his nervy wife Vera Clouzot and bullish mistress Signoret.

Buy, rent or watch 'Les Diaboliques'. Whatever you witness The jolts on offer are up there with the best of them, and lesser filmmakers are still trying to mimic the chilling last shot.

Dreyer spun his cinematic nightmare from two stories from a Sheridan Le Fanu collection. It stars Nicolas de Gunzburg a Russian aristocrat who bankrolled the film, appearing under the alias Julian West as an occult-obsessed young man who visits a French village haunted by a vampire.

The lord of the manor dies and his young daughter is gravely ill, bite wounds to her neck. Buy, rent or watch 'Vampyr'. Where did our love go?

The rest of the film is powerful stuff — Bervoets plays a young man whose girlfriend is snatched at French truck stop by serial murderer Donnadieu, an otherwise ordinary family man.

Unwilling to let the love of his life slip away, the young man finally tracks down his nemesis… and is offered a terrifying choice.

Buy, rent or watch 'The Vanishing'. Child star Haley Joel Osment what happened to him? Buy, rent or watch 'The Sixth Sense'.

In this case he was on his uppers — flat broke in London — and was offered the chance to make a horror film. Has there been a more dread-filled study of mental collapse?

Catherine Deneuve plays a repressed young Belgian woman, Carole, who lives in London with her sister and works as a manicurist.

All around Carole, London is upbeat, going places. The youth are about to quake. In her flat cracks appear in the walls and Carole drifts off into fugues and finally psychosis.

The noise of everyday life is deafening, Polanski piercing the subconscious to poke at what lies beneath.

Buy, rent or watch 'Repulsion'. Inspired by the birth of his own child Jennifer, Lynch creates a mood of near-unbearable, panicky fear, depicting the sprog in question as more a fleshy hot water bottle than an actual human baby.

Buy, rent or watch 'Deep Red'. As well as the cold, the dark and the claustrophobia, they find ancient, blind and ferocious predators with a highly evolved sense of smell.

As the women fight to survive, they must also cope with their own half-buried secrets: betrayals surface, tensions explode and loyalties disintegrate.

Still grieving for her husband and daughter, Sarah Macdonald is driven to the edge of madness by this blend of terror and suspicion.

Buy, rent or watch 'The Descent'. This is a great horror film about the horror of cinema itself. Buy, rent or watch 'Peeping Tom'.

It is possibly the scariest scene in cinema history: spoiler alert! Everyone who has watched the video, so the story goes, dies seven days later.

The tales themselves vary in quality, but the talent involved — the cream of Ealing — remains impressive. For this story, a husband Michael is possessed, dragged into the mirror and inspired to try and kill his wife Withers.

Horror disappeared from cinemas during the war, so this marked a return to screens for the genre.

The scares here are incremental and subtle, driven not by outright terror but by doors that close themselves or pianos that play on their own.

This is mature psychological horror, built on intelligence and an alluring, solid foundation of old-fashioned craft. Buy, rent or watch 'The Others'.

You don't want Hannibal Lecter inside your head. Buy, rent or watch 'The Silence of the Lambs'. Buy, rent or watch 'The Tenant'.

Cold, creepy and compelling, this is a small film from a massive talent. Buy, rent or watch 'The Devil's Backbone'. Buy, rent or watch 'Possession.

In a decisive and unexpected break from his then-popular goofy-dweeb persona, Robbins plays Jacob, a worn-out war veteran whose mind begins to fragment once the conflict is over.

Is he going crazy, or are there darker forces at work? Buy, rent or watch 'Jacob's Ladder'. After witnessing the barbaric practices of an Amazonian tribe, sensation-seeking American documentary filmmakers develop a taste for rape and murder.

For all its graphic depictions of cruelty and torture, the most appalling thing about this cannibalistic carnage is the laughable way that it purports to condemn the exploitative violence that it so obviously delights in depicting.

Buy, rent or watch 'Cannibal Holocaust'. Effectively imprisoned by her father, who feels responsible for the car accident in which she was disfigured, the infantilised Christiane is like a caged baby bird waiting to find its wings.

There were reports of audience members fainting during the facial surgery scenes, but for Franju this was a tale of anguish rather than a horror movie per se.

Buy, rent or watch 'Frankenstein'. He is not impressed by the pagan bacchanalia, though is rather smitten with lusty landlord's daughter Willow Ekland.

The magnificent Lee who was paid nothing to act in the film is laird of the manor and master of ceremonies. Buy, rent or watch 'The Wicker Man'.

She survives the accident, but comes to with no memory of what transpired. Casting himself as the face of inexplicable evil and slowly dismantling any semblance of logic, Harvey creates a purgatorial dead-end where every turn just leads deeper into the darkness.

Buy, rent or watch 'Carnival of Souls'. Dr Frankenstein has given up playing God and tinkering with cadavers, but his dastardly mentor Praetorious blackmails him into creating a mate Lanchester for the monster.

Buy, rent or watch 'Bride of Frankenstein'. Simone Simon plays Irena, A Serbian immigrant whose repressive childhood — involving, the film implies, sexual abuse — causes her to transform into a deadly panther in moments of arousal.

And when Max slots a video tape into this corporeal opening, flesh and technology meld into one. And how. Buy, rent or watch 'Videodrome'.

Did it just get cold in here? The magisterial Scott plays a well known composer who, following the death of his wife and son in a road accident, takes up a teaching job in Seattle and moves into an eerie, haunted Victorian house.

Guillermo del Toro maintains that the best ghost stories all have an undertow of melancholy. Hitchcock often scares by suggestion as crows appear on telegraph wires and the noise of them becomes increasingly intense — but he also shows full-on, unsettling aerial attacks, and the special effects for these scenes still endure.

Just imagine those birds in 3D. Buy, rent or watch 'The Birds'. Buy, rent or watch 'The Evil Dead'.

A year later their footage was found There are interviews with locals, footage of the trio getting hopelessly lost in the woods, and increasingly hysterical arguments.

At night, inside their flimsy tent, they are assailed by creepy scuffling and eerie screams. Crucially, since neither director was a horror nerd, they cut a highly original path through the dark woods of our imagination.

Buy, rent or watch 'The Blair Witch Project'. See you on the otherside Do funfair haunted houses still exist, or are they obsolete in this era of torture porn and human centipedes?

The big question still surrounding the film, of course, is who really made the movie — credited director Tobe Hooper, or Steven Spielberg, the producer whose hands-on approach led some observers to cry foul.

Buy, rent or watch 'Poltergeist'. Ravens and rottweilers are unaccountably drawn to angel-faced Damien, and anyone who starts asking questions — an innocent nanny, a crusading priest, a sceptical journalist — is knocked off in spectacular fashion.

But it still chills to the bone. Try a tender, humane tale of love and betrayal. Director Tod Browning had himself run away from school to join the circus.

Buy, rent or watch 'Freaks'. So many keynotes of the genre emerge fully formed here: the use of light and shadow, threat and tension, beauty and ugliness, a man in grotesque make-up threatening an innocent girl.

Buy, rent or watch 'Nosferatu: A Symphony of Horror'. The use of wide angles is gorgeously unsettling — director Robert Wise is clearly a student of Orson Welles, whose off-kilter influence is all over the film.

Buy, rent or watch 'The Haunting'. Or the aforementioned young lady, whose meek and mild exterior hides a dark secret?

Buy, rent or watch 'Audition'. And while the franchise may have descended swiftly into self-parody — they marketed Freddy Krueger dolls to pre-teens, if you recall — the original remains one of the most daring, inventive and downright terrifying shockers of the last century.

Cheers, Freddy. Buy, rent or watch 'A Nightmare on Elm Street'. Boy meets vampire An instant classic? If its position in the top is anything to go by, then yes.

Twelve year-old Oskar Hedebrant falls for the girl next door Eli Leandersson. But the sweet he offers makes her violently sick.

And her eyes bleed if she goes into his flat uninvited. Buy, rent or watch 'Let the Right One In'. Men turned into women, children were replaced by horses, and — spookiest of all — the omnibus full of workers changed into a hearse.

This was the birth of trick films. Most of the early films in cinema history consist of continuous shots of short skits and or scenes from everyday life [i.

Trick films were silent films designed to feature innovative special effects. In the first years of film, especially between and , the trick film was one of the world's most popular film genres.

Techniques explored in these trick films included slow motion and fast motion created by varying the camera cranking speed; the editing device called the substitution splice ; and various in-camera effects , such as multiple exposure.

The spectacular nature of trick films lives on especially on horror films. Trick films convey energetic whimsy that make impossible events seem to occur on screen.

Trick films are in essence films in which artists use camera techniques to create magic tricks or special effects that feel otherworldly.

Other examples of trick films include 's The Big Swallow in which a man tries to swallow the audience, and 's The Haunted Curiosity Shop in which apparitions appear inside an antiques shop.

In , Edison Studios in the United States produced the first filmed version of Mary Shelley 's classic Gothic novel Frankenstein , the popular story of a scientist creating a hideous, sapient creature through a scientific experiment.

Adapted to the screen for the first time by director J. Searle Dawley , his movie Frankenstein was deliberately designed to de-emphasize the horrific aspects of the story and focus on the story's mystical and psychological elements.

The United States continued producing films based on the Gothic novella the Strange Case of Dr Jekyll and Mr Hyde , a classic tale about a doctor or scientist whose evil persona emerges after getting in contact with a magical formula.

Hyde was directed by Lucius Henderson and stars future director James Cruze in the title role. A year later, Dr.

Hyde came out. It remains the best adaptation of The Inferno and is regarded by many scholars as the finest film adaptation of any of Dante's works to date.

The film became an international success and is arguably the first true blockbuster in all of cinema. Their film is well-remembered for its stunning visualization of the nine circles of Hell and special effects that convey haunting visuals.

The film presents a massive Lucifer with wings that stretch out behind him in front of a black void. He is seen devouring the Roman figures Brutus and Cassius in a display of double exposure and scale manipulation.

According to critics, L'Inferno is able to capture some of the manic, tortuous, and bizarre imagery and themes of Dante's complex masterwork.

Her lover, the brave Knight of the Snows, must then go on a journey to rescue her. Special effects in the film were created with stage machinery, pyrotechnics, substitution splices, superimpositions, and dissolves.

The film tells a story of a mad sculptor who searches for the perfect realization of "the mask of horror".

He places himself in front of a mirror after smearing blood over himself with the glass of an oil lamp. He then swallows a virulent poison to observe the effects of pain.

The film tells a story of a student who inadvertently makes a Faustian bargain. In the film, a student asks a stranger to turn him into a rich man.

The stranger visits the student later in his dorm room and conjures up pieces of gold and a contract for him to sign.

In return, the stranger is granted to take anything he wants from the room. He chooses to take the student's mirror.

Upon moving it from the wall, a doppelgänger steps out and causes trouble. In Western culture, a doppelgänger is a supernatural or ghostly double or look-alike of a specific person.

It is usually seen as a harbinger of bad luck. Cinematographer Guido Seeber utilized groundbreaking camera tricks to create the effect of the doppelgänger by using a mirror double which produces a seamless double exposure.

The film was written by Hanns Heinz Ewers , a noted writer of horror and fantasy stories. His involvement with the screenplay lent a much needed air of respectability to the fledgling art form of horror film and German Expressionism [25].

Consisting of 10 parts or episodes and roughly 7 hours long if combined, Les Vampires is considered to be one of the longest films ever made.

The series tells a story of a criminal gang called the Vampires, who play upon their supernatural name and style to instill fear in the public and the police who desperately want to put a stop to them.

The series is also a close cousin to the surrealist movement. Paul Wegener followed up the success of The Student of Prague by adapting a story inspired by the ancient Jewish legend of the golem , an anthropomorphic being magically created entirely from clay or mud.

Wegener teamed up with Henrik Galeen to create Der Golem The film, which is still partially lost, tells a story of an antiques dealer who finds a golem, a clay statue, brought to life centuries before.

The dealer resurrects the golem as a servant, but the golem falls in love with the antiques dealer's wife. As she does not return his love, the golem commits a series of murders.

Wegener made a sequel to the film two years later. It is now considered a lost film. Wegener would make a third golem film another three years later to conclude his Der Golem trilogy.

In the film, a bookshop closes and the portraits of the Strumpet , Death , and the Devil come to life and amuse themselves by reading stories—about themselves, of course, in various guises and eras.

The film is described as the "critical link between the more conventional German mystery and detective films of the mid s and the groundbreaking fantastic cinema of the early s.

Robert Wiene 's Das Cabinet des Dr. Caligari The Cabinet of Dr. Caligari became a worldwide success and had a lasting impact on the film world, particularly for horror.

It was not so much the story but the style that made it distinguishable from other films, " Dr. Caligari' s settings, some simply painted on canvas backdrops, are weirdly distorted, with caricatures of narrow streets, misshapen walls, odd rhomboid windows, and leaning doorframes.

Effects of light and shadow were rendered by painting black lines and patterns directly on the floors and walls of sets.

Considered a classic, The Cabinet of Dr. Caligari helped draw worldwide attention to the artistic merit of German cinema and had a major influence on American films, particularly in the genres of horror and film noir , introducing techniques such as the twist ending and the unreliable narrator to the language of narrative film.

Caligari "a major early entry in the horror genre, introducing images, themes, characters, and expressions that became fundamental to the likes of Tod Browning's Dracula and James Whales' Frankenstein , both from ".

Caligari is also a leading example of what a German Expressionist film looks like. In this film, Wegener stars as the golem who frightens a young lady with whom he is infatuated.

The film is the best known of the series, as it is the only film that is completely preserved. It is also a leading example of early German Expressionism.

Murnau arguably made the first vampire-themed movie, Nosferatu It was an unauthorized adaptation of Bram Stoker 's gothic horror novel Dracula.

In Nosferatu , Murnau created some of cinema's most lasting and haunting imagery which famously involve shadows of the creeping Count Orlok.

This helped popularized the expressionism style in filmmaking. Many expressionist works of this era emphasize a distorted reality, stimulating the human psyche and have influenced the horror film genre.

For most of the s, German filmmakers like Wegener, Murnau, and Wiene would significantly influence later productions not only in horror films but in filmmaking in general.

They would become the leading innovators of the German Expressionist movement. The plots and stories of the German Expressionist films often dealt with madness and insanity.

It tells the story of house guests inside a manor given visions of what might happen if the manor's host, the count played by Fritz Kortner , stays jealous and the guests do not reduce their advances towards his beautiful wife.

Kortner's bulging eyes and twisted features are facets of a classic Expressionist performance style, as his unnatural feelings contort his face and body into something that appears other than human.

In , German filmmaker Paul Leni made another representative German Expressionist film with Das Wachsfigurenkabinett , or Waxworks as it is commonly known.

The horror film tells a story of a writer who accepts a job from a wax museum to write a series of stories on different controversial figures including Ivan the Terrible and Jack the Ripper in order to boost business.

Although Waxworks is often credited as a horror film, it is an anthology film that goes through several genres including a fantasy adventure, historical film, and horror film through its various episodes.

Waxworks contain many elements present in a German Expressionist movie. The film features deep shadows, moving shapes, and warped staircases.

The director said of the film, "I have tried to create sets so stylized that they evidence no idea of reality. According to Wisecrack' s episode on How Horror Movies Changed , "the horror genre blossoms anywhere there was pain and national chaos.

So it's more than fitting that the genre's real boom took place in the mega-depressing Post-World War I Germany.

During the war — , Germany banned all foreign films, inadvertently throwing all film nerds a boom. Combine that embargo with the general despair of the era, you'll see why German Expressionism took place.

Though the word horror to describe the film genre would not be used until the s when Universal Pictures began releasing their initial monster films , earlier American productions often relied on horror and gothic themes.

Many of these early films were considered dark melodramas because of their stock characters and emotion-heavy plots that focused on romance, violence, suspense, and sentimentality.

This series of pictures from Universal Pictures have retroactively become the first phase of the studio's Universal Classic Monsters series that would continue for three more decades.

Universal Pictures' classic monsters of the s featured hideously deformed characters like Quasimodo , The Phantom , and Gwynplaine. The film was adapted from the classic French gothic novel of the same name written by Victor Hugo in , about a horribly deformed bell ringer in the cathedral of Notre-Dame.

The film elevated Chaney, already a well-known character actor, to full star status in Hollywood, and also helped set a standard for many later horror films.

Two years later, Chaney stars as The Phantom who haunts the Paris Opera House in 's silent horror film, The Phantom of the Opera , based on the mystery novel by Gaston Leroux published 15 years earlier.

Roger Ebert said the film "creates beneath the opera one of the most grotesque places in the cinema, and Chaney's performance transforms an absurd character into a haunting one.

His silent horror film The Cat and the Canary is the third film in the Universal Classic Monsters series and is considered "the cornerstone of Universal's school of horror.

The plot revolves around the death of a man and the reading of his will 20 years later. His family inherits his fortunes, but when they spend the night in his haunted mansion they are stalked by a mysterious figure.

Meanwhile, a lunatic known as "the Cat" escapes from an asylum and hides in the mansion. The film is part of a genre of comedy horror films inspired by s Broadway stage plays.

Paul Leni's adaptation of Willard's play blended expressionism with humor, a style Leni was notable for and critics recognized as unique.

Alfred Hitchcock cited this film as one of his influences [39] and Tony Rayns called it the "definitive haunted house movie.

The film, starring Conrad Veidt is known for the bleak carnival freak-like grin on the character Gwynplaine's face.

A graphic novel in exploring the origins of the Joker was also titled Batman: The Man Who Laughs in homage to this film.

Veidt plays a middle-aged magician who is in love with his beautiful young assistant. She, on the other hand, is in love with the magician's young protege, who turns out to be a bum and a thief.

The film received mixed reviews and a New York Times article even said that "Dr. Fejos has handled his scenes with no small degree of imagination.

The trend of inserting an element of macabre into American pre-horror melodramas was popular in the s. Directors known for relying on macabre in their films during the decade were Maurice Tourneur , Rex Ingram , and Tod Browning.

Ingram's The Magician contains one of the first examples of a " mad doctor " and is said to have had a large influence on James Whale's version of Frankenstein.

Chaney played a carnival knife thrower called Alonzo the Armless and Joan Crawford as the scantily clad carnival girl he hopes to marry.

Chaney did collaborative scenes with a real-life armless double whose legs and feet were used to manipulate objects such as knives and cigarettes in frame with Chaney's upper body and face.

Pictures was the first all-talking horror film, made using the Vitaphone sound-on-disc system. The plot centered on sound, with much of the ghost's haunting taking place in vis-a-vis creepy organ music, creaky doors and howling winds.

The film was poorly received by audiences and critics. They claim that it is monotonous, slow, dragging, fatiguing and boring.

Other European countries also, contributed to the genre during this period. This is what the Criterion have to say about the film; "The last person to die on New Year's Eve before the clock strikes twelve is doomed to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.

This extraordinarily rich and innovative silent classic which inspired Ingmar Bergman to make movies is a Dickensian ghost story and a deeply moving morality tale, as well as a showcase for groundbreaking special effects.

In , Danish filmmaker Benjamin Christensen created the Swedish-Danish production Häxan also known as The Witches or Witchcraft Through the Ages , a documentary-style silent horror film based partly on Christensen's study of the Malleus Maleficarum , a 15th-century German guide for inquisitors.

Häxan is a study of how superstition and the misunderstanding of diseases and mental illness could lead to the hysteria of the witch-hunts.

There are shocking moments in which we witness a woman giving birth to two enormous demons, see a witches' sabbath, and endure tortures by inquisition judges.

The film also features an endless parade of demons of all shapes and sizes, some of whom look more or less human, whereas others, are almost fully animal—pigs, twisted birds, cats, and the like.

Roger Ebert included the film on his list of "Great Movies" in , calling the great hall of the film as "one of the most haunting spaces in the movies".

Il mostro di Frankenstein , one of a few Italian horror film before the late s, is now considered lost.

In the s Universal Pictures continued producing films based on Gothic horror. The studio entered a Golden Age of monster movies in the '30s, releasing a string of hit horror movies.

In this decade, the studio assembled several iconic monsters in motion picture history including Dracula , Frankenstein , The Mummy , and The Invisible Man [54] Each movie starring these monsters would go on to make sequels and each of the characters would go on to cross-over with one another in a cinematic shared universe.

The films would retroactively be classified together as part of the Universal Classic Monsters series. Universal Pictures created a monopoly on the mainstream horror film, producing stars such as Bela Lugosi and Boris Karloff , and grossing large sums of money at the box office in the process.

It was a sound remake of the studio's earlier film, The Cat and the Canary from three years ago. The film was directed by George Melford who would later direct the Spanish version of Dracula.

On February 14, , Universal Pictures premiered their first film adaptation of Dracula , the popular story of an ancient vampire who arrives in England where he preys upon a virtuous young girl.

The film was based on the stage play by Hamilton Deane and John L. Balderston , which in turn was loosely based on the classic novel by Bram Stoker.

February 's Dracula was an English-language vampire-horror film directed by Tod Browning and stars Bela Lugosi as the Count Dracula , the actor's most iconic role.

The film was generally well received by critics. Variety praised the film for its "remarkably effective background of creepy atmosphere. Some long shots of Lugosi as the Count and some alternative takes from the English version were used in this production.

On November 21, , Universal Pictures released another hit film with Frankenstein. The story is about a scientist and his assistant who dig up corpses in the hopes to reanimated them with electricity.

The experiment goes awry when Dr. Frankenstein's assistant accidentally gives the creature a murderer's abnormal brain.

On February 21, , Universal Pictures released a double-feature. The first one is Murders in the Rue Morgue. It stars Bela Lugosi as a lunatic scientist who abducts women and injects them with blood from his ill-tempered caged ape.

The film was loosely based on an short story by Edgar Allan Poe. Universal Pictures would release two more Poe adaptations later in the decade.

It's a mystery horror story starring Boris Karloff. Five travelers are admitted to a large foreboding old house that belongs to an extremely strange family.

The story was based on a novel by J. The film, based on an original screenplay, is about an ancient Egyptian mummy named Imhotep who is discovered by a team of archaeologists and inadvertently brought back to life through a magic scroll.

The site's consensus states: "Relying more on mood and atmosphere than the thrills typical of modern horror fare, Universal's The Mummy sets a masterful template for mummy-themed films to follow.

Make-up artist Jack Pierce was responsible for the look of the Mummy. After studying photos of ancient mummies, Pierce came up with the look bearing a resemblance to the mummy of Ramesses III.

Pierce began transforming Karloff at 11 a. Karloff finished his scenes by 2 a. Boris Karloff found the removal of gum from his face painful, and overall found the day "the most trying ordeal I [had] ever endured".

Jack Pierce would also come to design the Satanic make-up for Lugosi in the independently produced White Zombie In , after the release of The Mummy , Universal Pictures released two pictures.

The first one was in July. It was a murder-mystery film called The Secret of the Blue Room. The plot of the film is that, according to legend, the "blue room" inside a mansion is cursed.

Everyone who has ever spent the night there has met with an untimely end. Three men wager that each can survive a night in the forbidding room.

The film was directed by James Whale and stars Claude Rains as the titular character. The movie was based on a science fiction novel of the same name by H.

Wells published in The film has been described as a "nearly perfect translation of the spirit of the book".

The Invisible Man is known for its clever and groundbreaking visual effects by John P. Fulton , John J.

Mescall and Frank D. Williams , whose work is often credited for the success of the film. Claude Rains was claustrophobic and it was hard to breathe through the suit.

Consequently, the work was especially difficult for him, and a double, who was somewhat shorter than Rains, was sometimes used. It stars both Boris Karloff and Bela Lugosi.

It was the first of six movies Universal Pictures paired the two iconic actors together. The Black Cat became Universal Pictures' biggest box office hit of the year and is considered by many to be the one that created and popularized the psychological horror subgenre, emphasizing on atmosphere, eerie sounds, the darker side of the human psyche, and emotions like fear and guilt to deliver its scares, something that was not used in the horror genre before.

Although it was credited the film was based om Edgar Allan Poe 's classic short story , the film actually has little to do with Poe's story.

In the film, American honeymooners in Hungary become trapped in the home of a Satan-worshiping priest when the bride is taken there for medical help following a road accident.

The film exploited a sudden public interest in psychiatry. In , Universal Pictures released four pictures from February to July.

The story revolves around an opium-addicted choirmaster who develops an obsession for a beautiful young girl and will not stop short of murder in order to have her.

The film was based on the final novel by Charles Dickens in In April , Bride of Frankenstein premiered.

It is widely regarded as one of the greatest sequels in cinematic history, with many fans and critics considering it to be an improvement on the original film.

In the film, Dr. Frankenstein, goaded by an even madder scientist, builds his monster a mate, often referred to as the Monster's Bride.

Makeup artist Jack Pierce returned to create the makeup for the Monster and his Bride. Over the course of filming, Pierce modified the Monster's makeup to indicate that the Monster's injuries were healing as the film progressed.

Actress Elsa Lanchester portrayed the Monster's Bride. The bride's conical hairdo, with its white lightning-trace streaks on each side, has become an iconic symbol of both the character and the film.

A month after the release of Bride of Frankenstein , Universal Pictures premiered the influential werewolf movie Werewolf of London , the first Hollywood mainstream movie to feature a werewolf , a creature of folklore who shape-shifts from a human into a wolf.

The film stars Henry Hull as the titular character. In the movie, he is a botanist who gets attacked by a strange animal.

The bite causes him to turn into a bloodthirsty monster. Jack Pierce created the make-up for the creature. Screenwriter and journalist Frank Nugent , writing for The New York Times , thought the film was "designed solely to amaze and horrify.

Granting that the central idea has been used before, the picture still rates the attention of action-and-horror enthusiasts.

The film was The Raven. The film was not actually a direct adaptation of the classic poem , but rather inspired from it.

In the film, a brilliant surgeon, played by Bela Lugosi, is obsessed with the writer Edgar Allan Poe. He saves the life of a beautiful dancer but goes mad when he can't have her.

Meanwhile, Boris Karloff plays a fugitive murderer on the run from the police. The film did not do particularly well at the box office during its initial release, and indirectly led to a temporary ban on horror films in England.

At the time, it was beginning to look like the horror genre was no longer economically viable, and paired with the strict production code of the era, American filmmakers struggled to make creative works on screen, and horror eventually went out of vogue.

This proved a devastating development at the time for Lugosi, who found himself losing work and struggling to support his family.

Universal Pictures changed ownership in , and the new management was less interested in the macabre. In , Universal Pictures continued to make films for the series.

In January, the studio premiered the science fiction melodrama The Invisible Ray. The film pairs Bela Lugosi and Boris Karloff a third time.

In the film, a scientist creates a telescope-like device that captures light waves from the Andromeda Galaxy, giving him a way to view the distant past.

He and several colleagues go to Africa to locate a large, unusual meteorite that the light-waves showed fell there a billion years earlier.

After discovering that the meteorite is composed of a poisonous unknown element, "Radium X", he begins to glow in the dark, and his touch becomes deadly.

These radiation effects also begin to slowly drive him mad. Critics noted the tone of the film to be somber, dignified, and tragic.

The Invisible Ray is a morality play, particularly given the film's final lines of dialog, uttered nine years before the events of Hiroshima and Nagasaki , by Madame Rukh: "My son, you have broken the first law of science Janos Rukh is dead, but part of him will go on to eternity, working for humanity".

In May , Universal Pictures released a sequel to 's Dracula. The film was called Dracula's Daughter and stars Gloria Holden in the title role.

Dracula's Daughter doesn't feature Bela Lugosi or his character, but instead tells the story of Countess Marya Zaleska, the daughter of Count Dracula and herself a vampire.

Following Dracula's death, she believes that by destroying his body she will be free of his influence and live normally. When this fails, she turns to a psychiatrist, played by Otto Kruger.

The Countess kidnaps Janet and takes her to Transylvania, leading to a battle between Dr. Garth and the Countess.

While not as successful as the original upon its release, the film was generally well-reviewed.

In the intervening decades, criticism has been deeply divided. Contemporary critics and scholars have noted the film's strong lesbian overtones, which Universal acknowledged from the start of production and exploited in some early advertising.

Universal would completed their initial Dracula trilogy seven years later with Son of Dracula. In , Universal Pictures only released one film in the series.

The film was Night Key , a science fiction crime thriller starring Boris Karloff. In Night Key , Karloff plays an elderly inventor of a burglar alarm who attempts to get back at the man who stole the profits to his invention.

Later, his device is then subverted by gangsters who threatens him and use his own device to facilitate burglaries.

Letterboxd users call the film "a delightfully corny, old-fashioned thriller". In , Universal Pictures did not release any film related to horror, thriller, or science fiction.

Instead, they made re-releases of their previous Dracula and Frankenstein films. It was only in January , a full year and a half after the release of Night Key that the studio continued putting out original horror movies.

It stars Bela Lugosi as a mad scientist who attempts to rule the world by creating various elaborate inventions.

In a dramatic fashion, foreign agents and G-Men government men try to seize the inventions for themselves.

A minute feature film version of the film, cut down from the serial's original minutes, was released for television ten years later.

The Phantom Creeps was Universal Pictures' th serial and 44th to have sound. The innovation of the scrolling text version of the synopsis at the beginning of each chapter was used for the Star Wars films as the "Star Wars opening crawl".

On January 13, , Universal Pictures released Son of Frankenstein , the third entry in the studio's Frankenstein series and the last to feature Boris Karloff as the Monster.

It is also the first to feature Bela Lugosi as Ygor. Son of Frankenstein was a reaction to the popular re-releases of Dracula and Frankenstein as double-features in In the film, one of the sons of Frankenstein finds his father's monster in a coma and revives him, only to find out he is controlled by Ygor who is bent on revenge.

Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein , in which the studio cast both stars Lugosi and Karloff again for the fourth time.

In November , Universal Pictures released their last horror film of the s with the historical and quasi-horror film, Tower of London.

Vincent Price , in only his third film, appears as George, Duke of Clarence. Tower of London is based on the traditional depiction of Richard rising to become King of England in by eliminating everyone ahead of him.

Each time Richard accomplishes a murder, he removes one figurine from a dollhouse resembling a throne room.

Once he has completed his task, he now needs to defeat the exiled Henry Tudor to retain the throne. Other studios followed Universal's lead.

MGM 's controversial Freaks frightened audiences at the time, featuring characters played by people who had real deformities,.

The studio even disowned the film, and it remained banned in the United Kingdom, for 30 years.

Hyde is remembered for its innovative use of photographic filters to create Jekyll's transformation before the camera. With the progression of the genre, actors like Boris Karloff and Bela Lugosi were beginning to build entire careers in horror.

Early in the decade also, Danish director Carl Theodor Dreyer created the horror fantasy film Vampyr based on elements from J. The German-produced sound film tells the story of Allan Gray, a student of the occult who enters a village under the curse of a vampire.

According to the book Movies You Must See Before You Die , Vampyr' s "greatness derives partly from Dreyer's handling of the vampire theme in terms of sexuality and eroticism, and partly from its highly distinctive, dreamy look.

Despite the success of The Wolf Man , by the s, Universal's monster movie formula was growing stale, as evidenced by desperate sequels and ensemble films with multiple monsters.

Eventually, the studio resorted to comedy-horror pairings, like Abbott and Costello Meet Frankenstein , which met with some success.

In the year , Universal Pictures released three movies. In January, the Vincent Price -starring The Invisible Man Returns premieres in theaters to commercial success despite its production being plagued with problems.

In September, The Mummy's Hand was released. Although it is sometimes claimed by fans as a sequel or follow-up to The Mummy , it does not continue the film's storyline, or feature any of the same characters.

At the film's release, film critic Bosley Crowther wrote for The New York Times , "It's the usual mumbo-jumbo of secret tombs in crumbling temples and salacious old high priests guarding them against the incursions of an archaeological expedition".

In December, The Invisible Woman was released. It is the third film in the Invisible Man film series.

This film was more of a screwball comedy than other films in the series thus is considered a comedy more than a horror film.

The film stars Virginia Bruce in the lead role and the aging John Barrymore in a supporting role. Reviews from critics were mixed.

Two more films from the Invisible Man series would be released in the decade. The propaganda war-horror Invisible Agent , which featured a mad scientist working in secret to aid the Third Reich , and 's The Invisible Man's Revenge.

In , Universal Pictures released a reboot of sort to the studio's werewolf picture Werewolf of London which starred noted character actor Henry Hull in a quite different and more subtle werewolf makeup.

The character of Larry Talbot aka The Wolf Man is considered one of the best classic monsters in the series.

The title character has had a great deal of influence on Hollywood's depictions of the legend of the werewolf. The decade also sees the continuation of Universal Pictures ' consistent releases of horror, suspense and science fiction films.

This comes to be later known as the cult classic Universal Classic Monsters series which began in the s and would later dissipate in the s.

In this decade Lon Chaney Jr. Paramount Pictures also made horror films in the s, the most popular of which is The Uninvited. The film has been noted by contemporary film scholars as being the first film in history to portray ghosts as legitimate entities rather than illusions or misunderstandings played for comedy.

It depicts various supernatural phenomena, including disembodied voices, apparitions, and possession. MGM 's best horror genre contribution of the s would be Albert Lewin 's The Picture of Dorian Gray , which was popularly known for its interesting use of color insert to show Dorian's haunting portrait.

In , Great Britain contributed the anthology horror film Dead of Night. In the film house guests tell at least five supernatural tales, the last of which being the most remembered.

The film's last story, titled The Ventriloquist's Dummy features a ventriloquist tormented by a malevolent puppet.

The popularity of movie genres of the s were mostly film noir , melodrama and mystery. It would then arguably be a stretch to point out that some mystery and thriller films can be considered horror genre contributions of the decade.

Wes Anderson ranked it as the sixth best British film. With advances in technology, the tone of horror films shifted from the Gothic towards contemporary concerns.

A popular horror subgenre began to emerge: the Doomsday film. It is considered to be the most popular and most paranoid films from the golden age of American sci-fi cinema.

In the s, television had arrived and the theatrical market was changing. Producers and exhibitors found new, exciting and enticing ways to keep audiences in theaters.

This is how Hollywood directors and producers found ample opportunity for audience exploitation through gimmicks.

The years through is considered the "Golden Era" of 3-D movies. In a three-dimensional stereoscopic film , the audience's brains are tricked into believing the images projected onto a flat cinema screen are coming to life in full three-dimensional glory.

Those who came to see a 3-D movie inside a theater were given the familiar disposable cardboard anaglyph 3D glasses to wear which will allow them to see the images come to life.

In April , Warner Bros. The film, which stars Vincent Price , tells a story of a disfigured sculptor who repopulates his destroyed wax museum by murdering people and using their wax-coated corpses as displays.

House of Wax was the film that typecast Price as a horror icon. After the release of that film, Price would be labeled the "King of 3-D" and would later become the actor to star in the most 3D features.

The success of these two films proved that major studios now had a method of getting film-goers back into theaters and away from television sets, which were causing a steady decline in attendance.

Aside from 3-D technology, different forms of promotional gimmicks were used to entice film-goers into seeing the films in theaters.

One great example is during the screening of 's The Lost Missile , a science fiction film in which scientists try to stop a mysterious missile from destroying the Earth.

Audiences who saw the film in theaters were given "shock tags" to monitor their vitals during the movie. They were promised that anyone who would get shocked into a comatose state by the film would get a free ride home in a limousine.

Film director and producer William Castle is considered the King of the film gimmick. After directing a cavalcade of B movies low-budget commercial films for Columbia Pictures in the s, Castle set out on the independent route.

This kind of promotional gimmick would later make him famous. Of course, in actuality, a skeleton with glowing red eyes was attached to wires above the theater in order to swoop in and float above audience members' heads to parallel the action on the screen.

In the film, Price breaks the fourth wall and warns the audience that the tingler is in the theater which then prompts the built-in electric buzzers to scare audiences in their theater seats.

The s is also well known for creature feature or giant monster movies. These are usually disaster films that focuses on a group of characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones.

The monster is often created by a folly of mankind — an experiment gone wrong, the effects of radiation or the destruction of habitat.

The monster can also be from outer space, or has been on Earth for a long time with no one ever seeing it, or released or awakened from a prison of some sort where it was being held.

In monster movies, the monster is usually a villain, but can be a metaphor of humankind's continuous destruction.

Warner Bros. It then begins to wreak a path of destruction as it travels southward, eventually arriving at its ancient spawning grounds, which includes New York City.

The film is also remembered for its influential stop motion model animation created by visual effects creator Ray Harryhausen.

One of the best movies during these years was Night of the Demon Ray Harryhausen created his own form of stop motion model animation called Dynamation.

It involved photographing a miniature against a rear-projection screen through a partly masked pane of glass. The masked portion would then be re-exposed to insert foreground elements from the live footage.

The effect was to make the creature appear to move in the midst of live action. It could now be seen walking behind a live tree, or be viewed in the middle distance over the shoulder of a live actor — effects difficult to achieve before.

That scene spurred on numerous homages in many horror films [94] in subsequent years including 's A Nightmare on Elm Street 3: Dream Warriors , 's Army of Darkness and 's Game of Thrones ' Season 4 episode entitled The Children.

Japan's experience with Hiroshima and Nagasaki bore the well-known Godzilla and its many sequels , featuring mutation from the effects of nuclear radiation.

This kickstarted the tokusatsu trend known as Kaiju films , a Japanese film genre that features giant monsters, usually attacking major cities and engaging the military and other monsters in battle.

Other films in this genre that isn't about Godzilla include Rodan and The Mysterians These include Ghost-Cat of Gojusan-Tsugi , and Black Cat Mansion , which tells a story of a samurai tormented by a cat possessed by the spirits of the people she killed.

Filmmakers continued to merge elements of science fiction and horror over the following decades. The Fly is a American science fiction-horror film starring Vincent Price.

The film tells the story of a scientist who is transformed into a grotesque creature after a common house fly enters unseen into a molecular transporter he is experimenting with, resulting in his atoms being combined with those of the insect, which produces a human-fly hybrid.

It was followed by two black-and-white sequels, Return of the Fly and Curse of the Fly The original film was remade in by director David Cronenberg.

Considered a "pulp masterpiece" [96] of the s was The Incredible Shrinking Man , based on Richard Matheson 's existentialist novel.

The film tells the story of a man, who after getting exposed to a radioactive cloud, gets shrunk in height by several inches.

The film conveyed the fears of living in the Atomic Age and the terror of social alienation. It won the first Hugo Award for Best Dramatic Presentation and was named in to the National Film Registry by the Library of Congress for being "culturally, historically or aesthetically" significant.

The independently produced sci-fi film Attack of the 50 Foot Woman was made in The storyline concerns the plight of a wealthy heiress whose close encounter with an enormous alien causes her to grow into a giantess, complicating her marriage already troubled by a philandering husband.

The film has become a cult classic and is often referenced in popular culture. The United Kingdom began to emerge as a major producer of horror films around this time.

Christopher Lee starred in a number of Hammer Horror films, including The Curse of Frankenstein , which Professor Patricia MacCormac called the "first really gory horror film, showing blood and guts in colour".

Horror has been a mainstay of television programming since the s. In the book TV Horror: Investigating the Dark Side of the Small Screen , observed that television has helped shape many generations of horror fans and filmmakers because it provided them their first exposure to cinematic horror as children cowering behind their sofa or peering out from under their blanket [] In the s, multiple anthology series that feature suspenseful horror stories were broadcast on television.

The Veil is one notable anthology series that starred Boris Karloff as the horror host and characters in the episodes. Ten of the 12 episodes begin and end with Karloff standing in front of a roaring fireplace and inviting viewers to find out what lies "behind the veil".

Hailed by critics as "the greatest television series never seen", The Veil was never broadcast.

Troubles within the studio resulted in production being cancelled after only 10 episodes were produced. The number of episodes was considered to be too small to justify sale to a network or to syndication.

Ten episodes were released to the public in their entirety for the first time in the s, and have subsequently been released on DVD by Something Weird Video.

Premiered on October is the anthology series Alfred Hitchcock Presents which featured dramas, thrillers, mysteries. It was created, hosted, and produced by Alfred Hitchcock , who by had already directed films for over three decades.

Some of the stories in the show were original, some adaptations of writers like H. The Twilight Zone — has become a staple in horror fiction since its premiere on October Although predominantly science-fiction, the show's paranormal and Kafkaesque events leaned the show towards fantasy and horror.

The phrase "twilight zone," is used today to describe surreal experiences. An iconic episode which premiered on November 20, is Time Enough at Last which tells the story of a bank teller who yearns for more time to read and gets his wish when he becomes the sole survivor of a nuclear holocaust.

Other notable horror anthologies in the s include The Vampira Show , which was presented by Maila Nurmi , considered to be television's first horror host , dressed as her iconic campy Vampira character, and 13 Demon Street , which was hosted by Lon Chaney Jr.

Released in May , the British psychological horror thriller film, Peeping Tom by Michael Powell , is a progenitor of the contemporary " slasher film ", [] though Alfred Hitchcock cemented the subgenre with Psycho released also in the same year.

Instead, he helped pioneer the art of psychological suspense. As a result, he managed to frighten his viewers by getting to the root of their deepest fears.

France continued the mad scientist theme with the film Eyes Without a Face The story follows Parisian police in search of the culprit responsible for the deaths of young women whose faces have been mutilated.

Meanwhile, Italian horror films became internationally notable thanks to Mario Bava 's contributions. In this film, Bava turned a Russian folk legend into a beguiling fairly tale about a young doctor who finds himself stranded in a haunted community and falls for a woman whose body become possessed by a woman executed for witchcraft.

In the United States, gimmicks continued to be used to entice film-goers into theaters. They will need to search the house to find the doctor's fortune, but along with the property they have also inherited the occultist's collection of thirteen ghosts.

In , Castle made Mr. It tells the story of a man whose face becomes frozen in a horrifying grin while robbing his father's grave to obtain a winning lottery ticket.

Sardonicus in the film. Sardonicus go free or "thumbs down" if they want to punish him. Supposedly no audience ever voted for life over death, so the film continues as if the audience's majority verdict was seriously counted.

If audiences failed any of the questions they wouldn't be allowed inside the theater. The American International Pictures AIP , in the early 60s, made a series of films based on stories by Edgar Allan Poe , most of which star Vincent Price , who became well known for his performances in subsequent horror films of the time.

Robert Wise's The Haunting is considered by a great many critics, aficionados, and casual fans of the horror genre to be one of the scariest films of all time.

The film is best known for its brilliant use of canted frames, mirror reflections, fish-eye lenses and uncanny sound and image editing.

Roman Polanski made his first film in English with Repulsion , which is considered to be his scariest and most disturbing work.

Polanski's "evocations of sexual panic and masterful use of sound puts the audiences' imagination to work in numerous ways". Horror films of the s used the supernatural premise to express the horror of the demonic.

Jack Clayton's The Innocents tell the story of a governess who fears that the children she is watching over are possessed by ghosts haunting the estate they are staying.

A few years later, Roman Polanski wrote and directed Rosemary's Baby , based on the bestselling horror novel by Ira Levin.

The highly influential film tells the story of a pregnant woman who suspects that an evil cult wants to take her baby for use in their rituals.

Meanwhile, ghosts were a dominant theme in Japanese horror , in such films as Kwaidan , Onibaba both and Kuroneko Another influential American horror film of the 60s was George A.

Romero 's Night of the Living Dead Considered to be the first true zombie movie, the film began to combine psychological insights with gore.

Distancing the era from earlier gothic trends, late s films brought horror into everyday life. Low-budget splatter films from the likes of Herschell Gordon Lewis also gained prominence in the s.

Some of Lewis' notorious works include Two Thousand Maniacs! The series centers on a group of teenagers and their dog who go to abandoned places to solve mysteries involving supposedly supernatural creatures through a series of antics and missteps.

The animated series' simple formula had a major impact on future slasher films especially of its portrayal of villains in masks. The s began a new age for horror films with the transition from "classic" to modern horror.

Horror films started to focus more on aggressiveness and ruthlessness while also focusing more on artistic qualities and societal themes.

The s was an era dominated by American horror films. Unlike the past, which was influenced heavily by European film-makers, Americans breathed a new life into the genre.

Modern horror films took the expected roles of characters in the films and changed them. This era changed the usual setting for horror films, using every-day settings.

Along with this came a change from focusing on defeating evil every time to having some instances where good fails before succeeding. Invincible to human intervention, demons became villains in many horror films with a postmodern style and a dystopian worldview.

Its focus on the psychology of grief was unusually strong for a film featuring a supernatural horror plot. Another notable film is The Wicker Man , a British mystery horror film dealing with the practice of ancient pagan rituals in the modern era.

In the s, Italian filmmakers Mario Bava , Riccardo Freda , Antonio Margheriti , and Dario Argento developed giallo horror films that became classics and influenced the genre in other countries.

The ideas of the s began to influence horror films in the 70s, as the youth involved in the counterculture began exploring the medium.

Romero satirized the consumer society in his zombie sequel, Dawn of the Dead Meanwhile, the subgenre of comedy horror re-emerged in the cinema with The Abominable Dr.

Also in the s, the works of the horror author Stephen King began to be adapted for the screen, beginning with Brian De Palma 's adaptation of Carrie , King's first published novel, for which the two female leads Sissy Spacek and Piper Laurie gained Oscar nominations.

Next, was his third published novel, The Shining , directed by Stanley Kubrick , which was a sleeper at the box office.

At first, many critics and viewers had negative feedback toward The Shining. However, the film is now known as one of Hollywood's most classic horror films.

This psychological horror film has a variety of themes: "evil children", alcoholism, telepathy , and insanity.

This type of film is an example of how Hollywood's idea of horror started to evolve. Murder and violence were no longer the main themes of horror films.

In the s and s, psychological and supernatural horror started to take over cinema. Another classic Hollywood horror film is Tobe Hooper 's Poltergeist Poltergeist is ranked the 20th scariest movie ever made by the Chicago Film Critics Association.

Both The Shining and Poltergeist involve horror being based on real-estate values. The evil and horror throughout the films come from where the movies are taking place.

Alien-Horrorfilm von John Carpenter mit Kurt Russell und Charles Hallahan. In John Carpenters Horror-Remake Das Ding aus einer anderen Welt bekommt es​. HorrorfilmeWeiterstöbern · Conjuring 2 · Eli · Annabelle.

Peter Mullan is superbly cast as Gordon, the boss of an asbestos removal company tasked with clearing out an abandoned mental hospital.

One of the first movies to be shot on HD digital video, the film has an unearthly, real-but-not-real sheen that adds immeasurably to its heart-stopping atmosphere of impending doom.

The film provoked outrage in many quarters, but, viewed now, any claims that it is pornographic seem ridiculous. But with proper financial backing and almost total creative freedom, these films were a world away from the cheapo grit of the grindhouse: directors like Stuart Gordon, Frank Henenlotter and Don Coscarelli had the funding to realise visions which would have been impossible a few years before, resulting in some of the most idiosyncratic movies in the horror canon.

Over the course of three wild sequels, Coscarelli expanded his bizarre universe in a variety of imaginative and deliriously entertaining ways — but the original set the standard.

Buy, rent or watch 'Phantasm'. Situation: A sequel that retcons all other sequels. Putting it politely, they varied in quality.

This sequel, however, retcons the previous entries, instead focusing on the implications that being chased by a knife-wielding psychopath wearing a white mask can have.

Michael Myers and his stab-happy ways feel particularly chilling, with director David Gordon opting to build tension over cheap thrills.

There are already two sequels planned, so it might not be immune from the frightful follow-up. Several directors have tried; none have survived the night.

Buy, rent or watch 'Dracula'. Buy, rent or watch 'Black Sabbath'. That anxiety resonates with anyone stifled by conformity, not just Ike-era suburbanites but the makers of movies and art.

Buy, rent or watch 'Invasion of the Body Snatchers'. But the damage it did to the Swedish tourist board — floral festivals have never looked so terrifying — was more than offset by its magisterial creeps and a stellar turn from Florence Pugh as a grieving woman drawn slowly into a sunlit fugue state.

It just makes the experience all the more terrifying. First-time director John Krasinski shows an almost Hitchcockian command of tension as the slightest creak or spillage can bring slathering hell-beasts raining down from the surrounding countryside.

Emily Blunt steals the show in front of the camera: the childbirth scene, in particular, will never leave you.

Wolfing around The best teenage werewolf movie, period. A word of warning, though: the unnecessary sequels are best avoided.

Buy, rent or watch 'Ginger Snaps'. This is a film of lurking shadows and creeping gloom, unfashionably cosy in its dedication to the Victorian tradition of ghostly goings-on.

Buy, rent or watch 'The Fog'. By solving the puzzle, Frank enters the world of exquisite cruelty presided over by Pinhead Bradley and his fellow Cenobites — glamorous sadists with a penchant for ripped flesh and transcendent pain.

Buy, rent or watch 'Hellraiser'. Buy, rent or watch 'Black Sunday'. Anticipating many now familiar conventions, Clark cranks up the level of threat through his pioneering use of prowling shots from the psycho killer's point of view, reinforced here by a discordant sound design.

Buy, rent or watch 'Black Christmas'. Buy, rent or watch 'Aliens'. Thank goodness! What a tragedy it would have been to lose this deliciously ghoulish comedy of manners.

Its inmates, the Femm family, are quite frankly bonkers. Upstairs, their year-old dad is bedridden and Saul their pyromaniac brother is locked in the attic, while Morgan the mad butler Karloff is getting fighting-drunk in the kitchen.

When a coroner is called to a small town to inspect the corpse of a maid, he finds a silver coin inserted into her heart.

The village is suffering under an ancient curse — and those who speak out about it meet bloody and untimely ends. A tale of hypnotism, hysteria and multiple murder set in a twisted, folksy German landscape filtered through the disturbed imagination of a madman, its fractured landscapes reflect the shattered psyche of a nation in defeat, but they also prefigure the greater horrors to come.

And almost a century later, at least one sequence here remains genuinely frightening: the midnight attack on a helpless young woman by a shambling, somnambulant strangler.

Hate crime If every generation gets the zombies its deserves, what would ours be like? The disease quickly spreads through the British population, turning people into berserk zombies.

One month later, in a London hospital, bicycle courier Jim Cillian Murphy wakes up from a coma, to find London cloaked in an unearthly silence.

There are scenes here that will send a shiver down your spine, such as the swarm of rats running in terror from an approaching undead horde.

Buy, rent or watch '28 Days Later But producer Hal E Chester insisted the flaming beast make two personal appearances to bookend this tale of an American psychologist, Dr Holden Andrews , a world-renowned paranormal sceptic.

But the French-born director knew his business and elsewhere gives an object lesson in frightening the audience out their seats with the mere placing of a hand on a banister.

Scriptwriter Charles Bennett was likewise enraged by the demon: "If [Chester, the producer] walked up my driveway right now, I'd shoot him dead.

Vive le difference! The imaginatively gruesome killings and chase scenes come thick and fast and the nerve-jangling sound design exacerbates the tension, making it virtually unbearable.

Then, with one staggeringly ill-judged and gob-smackingly offensive plot twist, the entire film falls apart. Buy, rent or watch 'Switchblade Romance'.

But this is merely a loose framework within which Fulci goes all out to upset and horrify his audience: faces melt inexplicably, tarantulas rip out human tongues, zombies rise from the grave, eyes are repeatedly torn out.

The result is more accurately nightmarish than almost any other film on this list, a true descent into the depths of meaningless, unpredictable, terrifyingly beautiful horror, with a scorpion-sharp sting in the tail.

A surprise entry on our list, this appallingly titled micro-budget Australian offering made waves at the SXSW film festival in , then promptly vanished off the radar.

Told in mock-doc style, the film recounts the eerie, possibly supernatural events that occurred in the remote Aussie town of Ararat following a tragic drowning at the local reservoir.

Buy, rent or watch 'Lake Mungo'. There are strong ties to the genre: Robert Mitchum plays Harry Powell, a murderous preacher whose pursuit of hidden booty leads him to hunt down a pair of hapless orphaned children through a mystical Southern dreamscape.

Buy, rent or watch 'The Night of the Hunter'. First, there are the grotesque characters, each horrific enough in their own way, from the boo-hiss headmaster Paul Meurisse to his nervy wife Vera Clouzot and bullish mistress Signoret.

Buy, rent or watch 'Les Diaboliques'. Whatever you witness The jolts on offer are up there with the best of them, and lesser filmmakers are still trying to mimic the chilling last shot.

Dreyer spun his cinematic nightmare from two stories from a Sheridan Le Fanu collection. It stars Nicolas de Gunzburg a Russian aristocrat who bankrolled the film, appearing under the alias Julian West as an occult-obsessed young man who visits a French village haunted by a vampire.

The lord of the manor dies and his young daughter is gravely ill, bite wounds to her neck. Buy, rent or watch 'Vampyr'.

Where did our love go? The rest of the film is powerful stuff — Bervoets plays a young man whose girlfriend is snatched at French truck stop by serial murderer Donnadieu, an otherwise ordinary family man.

Unwilling to let the love of his life slip away, the young man finally tracks down his nemesis… and is offered a terrifying choice. Buy, rent or watch 'The Vanishing'.

Child star Haley Joel Osment what happened to him? Buy, rent or watch 'The Sixth Sense'. In this case he was on his uppers — flat broke in London — and was offered the chance to make a horror film.

Has there been a more dread-filled study of mental collapse? Catherine Deneuve plays a repressed young Belgian woman, Carole, who lives in London with her sister and works as a manicurist.

All around Carole, London is upbeat, going places. The youth are about to quake. In her flat cracks appear in the walls and Carole drifts off into fugues and finally psychosis.

The noise of everyday life is deafening, Polanski piercing the subconscious to poke at what lies beneath.

Buy, rent or watch 'Repulsion'. Inspired by the birth of his own child Jennifer, Lynch creates a mood of near-unbearable, panicky fear, depicting the sprog in question as more a fleshy hot water bottle than an actual human baby.

Buy, rent or watch 'Deep Red'. As well as the cold, the dark and the claustrophobia, they find ancient, blind and ferocious predators with a highly evolved sense of smell.

As the women fight to survive, they must also cope with their own half-buried secrets: betrayals surface, tensions explode and loyalties disintegrate.

Still grieving for her husband and daughter, Sarah Macdonald is driven to the edge of madness by this blend of terror and suspicion.

Buy, rent or watch 'The Descent'. This is a great horror film about the horror of cinema itself. Buy, rent or watch 'Peeping Tom'.

It is possibly the scariest scene in cinema history: spoiler alert! Everyone who has watched the video, so the story goes, dies seven days later.

The tales themselves vary in quality, but the talent involved — the cream of Ealing — remains impressive. For this story, a husband Michael is possessed, dragged into the mirror and inspired to try and kill his wife Withers.

Horror disappeared from cinemas during the war, so this marked a return to screens for the genre. The scares here are incremental and subtle, driven not by outright terror but by doors that close themselves or pianos that play on their own.

This is mature psychological horror, built on intelligence and an alluring, solid foundation of old-fashioned craft. Buy, rent or watch 'The Others'.

You don't want Hannibal Lecter inside your head. Buy, rent or watch 'The Silence of the Lambs'. Buy, rent or watch 'The Tenant'.

Cold, creepy and compelling, this is a small film from a massive talent. Buy, rent or watch 'The Devil's Backbone'.

Buy, rent or watch 'Possession. In a decisive and unexpected break from his then-popular goofy-dweeb persona, Robbins plays Jacob, a worn-out war veteran whose mind begins to fragment once the conflict is over.

Is he going crazy, or are there darker forces at work? Buy, rent or watch 'Jacob's Ladder'. After witnessing the barbaric practices of an Amazonian tribe, sensation-seeking American documentary filmmakers develop a taste for rape and murder.

For all its graphic depictions of cruelty and torture, the most appalling thing about this cannibalistic carnage is the laughable way that it purports to condemn the exploitative violence that it so obviously delights in depicting.

Buy, rent or watch 'Cannibal Holocaust'. Effectively imprisoned by her father, who feels responsible for the car accident in which she was disfigured, the infantilised Christiane is like a caged baby bird waiting to find its wings.

There were reports of audience members fainting during the facial surgery scenes, but for Franju this was a tale of anguish rather than a horror movie per se.

Buy, rent or watch 'Frankenstein'. He is not impressed by the pagan bacchanalia, though is rather smitten with lusty landlord's daughter Willow Ekland.

The magnificent Lee who was paid nothing to act in the film is laird of the manor and master of ceremonies. Buy, rent or watch 'The Wicker Man'.

She survives the accident, but comes to with no memory of what transpired. Casting himself as the face of inexplicable evil and slowly dismantling any semblance of logic, Harvey creates a purgatorial dead-end where every turn just leads deeper into the darkness.

Buy, rent or watch 'Carnival of Souls'. Dr Frankenstein has given up playing God and tinkering with cadavers, but his dastardly mentor Praetorious blackmails him into creating a mate Lanchester for the monster.

Buy, rent or watch 'Bride of Frankenstein'. Simone Simon plays Irena, A Serbian immigrant whose repressive childhood — involving, the film implies, sexual abuse — causes her to transform into a deadly panther in moments of arousal.

And when Max slots a video tape into this corporeal opening, flesh and technology meld into one. And how. Buy, rent or watch 'Videodrome'.

Did it just get cold in here? The magisterial Scott plays a well known composer who, following the death of his wife and son in a road accident, takes up a teaching job in Seattle and moves into an eerie, haunted Victorian house.

Guillermo del Toro maintains that the best ghost stories all have an undertow of melancholy. Hitchcock often scares by suggestion as crows appear on telegraph wires and the noise of them becomes increasingly intense — but he also shows full-on, unsettling aerial attacks, and the special effects for these scenes still endure.

Just imagine those birds in 3D. Buy, rent or watch 'The Birds'. Buy, rent or watch 'The Evil Dead'. A year later their footage was found There are interviews with locals, footage of the trio getting hopelessly lost in the woods, and increasingly hysterical arguments.

At night, inside their flimsy tent, they are assailed by creepy scuffling and eerie screams. Crucially, since neither director was a horror nerd, they cut a highly original path through the dark woods of our imagination.

Buy, rent or watch 'The Blair Witch Project'. See you on the otherside Do funfair haunted houses still exist, or are they obsolete in this era of torture porn and human centipedes?

The big question still surrounding the film, of course, is who really made the movie — credited director Tobe Hooper, or Steven Spielberg, the producer whose hands-on approach led some observers to cry foul.

Buy, rent or watch 'Poltergeist'. Ravens and rottweilers are unaccountably drawn to angel-faced Damien, and anyone who starts asking questions — an innocent nanny, a crusading priest, a sceptical journalist — is knocked off in spectacular fashion.

But it still chills to the bone. Try a tender, humane tale of love and betrayal. Director Tod Browning had himself run away from school to join the circus.

Buy, rent or watch 'Freaks'. So many keynotes of the genre emerge fully formed here: the use of light and shadow, threat and tension, beauty and ugliness, a man in grotesque make-up threatening an innocent girl.

Buy, rent or watch 'Nosferatu: A Symphony of Horror'. The use of wide angles is gorgeously unsettling — director Robert Wise is clearly a student of Orson Welles, whose off-kilter influence is all over the film.

Buy, rent or watch 'The Haunting'. Or the aforementioned young lady, whose meek and mild exterior hides a dark secret? Buy, rent or watch 'Audition'.

And while the franchise may have descended swiftly into self-parody — they marketed Freddy Krueger dolls to pre-teens, if you recall — the original remains one of the most daring, inventive and downright terrifying shockers of the last century.

It was an unauthorized adaptation of Bram Stoker 's gothic horror novel Dracula. In Nosferatu , Murnau created some of cinema's most lasting and haunting imagery which famously involve shadows of the creeping Count Orlok.

This helped popularized the expressionism style in filmmaking. Many expressionist works of this era emphasize a distorted reality, stimulating the human psyche and have influenced the horror film genre.

For most of the s, German filmmakers like Wegener, Murnau, and Wiene would significantly influence later productions not only in horror films but in filmmaking in general.

They would become the leading innovators of the German Expressionist movement. The plots and stories of the German Expressionist films often dealt with madness and insanity.

It tells the story of house guests inside a manor given visions of what might happen if the manor's host, the count played by Fritz Kortner , stays jealous and the guests do not reduce their advances towards his beautiful wife.

Kortner's bulging eyes and twisted features are facets of a classic Expressionist performance style, as his unnatural feelings contort his face and body into something that appears other than human.

In , German filmmaker Paul Leni made another representative German Expressionist film with Das Wachsfigurenkabinett , or Waxworks as it is commonly known.

The horror film tells a story of a writer who accepts a job from a wax museum to write a series of stories on different controversial figures including Ivan the Terrible and Jack the Ripper in order to boost business.

Although Waxworks is often credited as a horror film, it is an anthology film that goes through several genres including a fantasy adventure, historical film, and horror film through its various episodes.

Waxworks contain many elements present in a German Expressionist movie. The film features deep shadows, moving shapes, and warped staircases.

The director said of the film, "I have tried to create sets so stylized that they evidence no idea of reality. According to Wisecrack' s episode on How Horror Movies Changed , "the horror genre blossoms anywhere there was pain and national chaos.

So it's more than fitting that the genre's real boom took place in the mega-depressing Post-World War I Germany.

During the war — , Germany banned all foreign films, inadvertently throwing all film nerds a boom. Combine that embargo with the general despair of the era, you'll see why German Expressionism took place.

Though the word horror to describe the film genre would not be used until the s when Universal Pictures began releasing their initial monster films , earlier American productions often relied on horror and gothic themes.

Many of these early films were considered dark melodramas because of their stock characters and emotion-heavy plots that focused on romance, violence, suspense, and sentimentality.

This series of pictures from Universal Pictures have retroactively become the first phase of the studio's Universal Classic Monsters series that would continue for three more decades.

Universal Pictures' classic monsters of the s featured hideously deformed characters like Quasimodo , The Phantom , and Gwynplaine.

The film was adapted from the classic French gothic novel of the same name written by Victor Hugo in , about a horribly deformed bell ringer in the cathedral of Notre-Dame.

The film elevated Chaney, already a well-known character actor, to full star status in Hollywood, and also helped set a standard for many later horror films.

Two years later, Chaney stars as The Phantom who haunts the Paris Opera House in 's silent horror film, The Phantom of the Opera , based on the mystery novel by Gaston Leroux published 15 years earlier.

Roger Ebert said the film "creates beneath the opera one of the most grotesque places in the cinema, and Chaney's performance transforms an absurd character into a haunting one.

His silent horror film The Cat and the Canary is the third film in the Universal Classic Monsters series and is considered "the cornerstone of Universal's school of horror.

The plot revolves around the death of a man and the reading of his will 20 years later. His family inherits his fortunes, but when they spend the night in his haunted mansion they are stalked by a mysterious figure.

Meanwhile, a lunatic known as "the Cat" escapes from an asylum and hides in the mansion. The film is part of a genre of comedy horror films inspired by s Broadway stage plays.

Paul Leni's adaptation of Willard's play blended expressionism with humor, a style Leni was notable for and critics recognized as unique.

Alfred Hitchcock cited this film as one of his influences [39] and Tony Rayns called it the "definitive haunted house movie.

The film, starring Conrad Veidt is known for the bleak carnival freak-like grin on the character Gwynplaine's face.

A graphic novel in exploring the origins of the Joker was also titled Batman: The Man Who Laughs in homage to this film. Veidt plays a middle-aged magician who is in love with his beautiful young assistant.

She, on the other hand, is in love with the magician's young protege, who turns out to be a bum and a thief. The film received mixed reviews and a New York Times article even said that "Dr.

Fejos has handled his scenes with no small degree of imagination. The trend of inserting an element of macabre into American pre-horror melodramas was popular in the s.

Directors known for relying on macabre in their films during the decade were Maurice Tourneur , Rex Ingram , and Tod Browning. Ingram's The Magician contains one of the first examples of a " mad doctor " and is said to have had a large influence on James Whale's version of Frankenstein.

Chaney played a carnival knife thrower called Alonzo the Armless and Joan Crawford as the scantily clad carnival girl he hopes to marry.

Chaney did collaborative scenes with a real-life armless double whose legs and feet were used to manipulate objects such as knives and cigarettes in frame with Chaney's upper body and face.

Pictures was the first all-talking horror film, made using the Vitaphone sound-on-disc system. The plot centered on sound, with much of the ghost's haunting taking place in vis-a-vis creepy organ music, creaky doors and howling winds.

The film was poorly received by audiences and critics. They claim that it is monotonous, slow, dragging, fatiguing and boring.

Other European countries also, contributed to the genre during this period. This is what the Criterion have to say about the film; "The last person to die on New Year's Eve before the clock strikes twelve is doomed to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.

This extraordinarily rich and innovative silent classic which inspired Ingmar Bergman to make movies is a Dickensian ghost story and a deeply moving morality tale, as well as a showcase for groundbreaking special effects.

In , Danish filmmaker Benjamin Christensen created the Swedish-Danish production Häxan also known as The Witches or Witchcraft Through the Ages , a documentary-style silent horror film based partly on Christensen's study of the Malleus Maleficarum , a 15th-century German guide for inquisitors.

Häxan is a study of how superstition and the misunderstanding of diseases and mental illness could lead to the hysteria of the witch-hunts.

There are shocking moments in which we witness a woman giving birth to two enormous demons, see a witches' sabbath, and endure tortures by inquisition judges.

The film also features an endless parade of demons of all shapes and sizes, some of whom look more or less human, whereas others, are almost fully animal—pigs, twisted birds, cats, and the like.

Roger Ebert included the film on his list of "Great Movies" in , calling the great hall of the film as "one of the most haunting spaces in the movies".

Il mostro di Frankenstein , one of a few Italian horror film before the late s, is now considered lost. In the s Universal Pictures continued producing films based on Gothic horror.

The studio entered a Golden Age of monster movies in the '30s, releasing a string of hit horror movies. In this decade, the studio assembled several iconic monsters in motion picture history including Dracula , Frankenstein , The Mummy , and The Invisible Man [54] Each movie starring these monsters would go on to make sequels and each of the characters would go on to cross-over with one another in a cinematic shared universe.

The films would retroactively be classified together as part of the Universal Classic Monsters series. Universal Pictures created a monopoly on the mainstream horror film, producing stars such as Bela Lugosi and Boris Karloff , and grossing large sums of money at the box office in the process.

It was a sound remake of the studio's earlier film, The Cat and the Canary from three years ago. The film was directed by George Melford who would later direct the Spanish version of Dracula.

On February 14, , Universal Pictures premiered their first film adaptation of Dracula , the popular story of an ancient vampire who arrives in England where he preys upon a virtuous young girl.

The film was based on the stage play by Hamilton Deane and John L. Balderston , which in turn was loosely based on the classic novel by Bram Stoker.

February 's Dracula was an English-language vampire-horror film directed by Tod Browning and stars Bela Lugosi as the Count Dracula , the actor's most iconic role.

The film was generally well received by critics. Variety praised the film for its "remarkably effective background of creepy atmosphere.

Some long shots of Lugosi as the Count and some alternative takes from the English version were used in this production.

On November 21, , Universal Pictures released another hit film with Frankenstein. The story is about a scientist and his assistant who dig up corpses in the hopes to reanimated them with electricity.

The experiment goes awry when Dr. Frankenstein's assistant accidentally gives the creature a murderer's abnormal brain.

On February 21, , Universal Pictures released a double-feature. The first one is Murders in the Rue Morgue. It stars Bela Lugosi as a lunatic scientist who abducts women and injects them with blood from his ill-tempered caged ape.

The film was loosely based on an short story by Edgar Allan Poe. Universal Pictures would release two more Poe adaptations later in the decade.

It's a mystery horror story starring Boris Karloff. Five travelers are admitted to a large foreboding old house that belongs to an extremely strange family.

The story was based on a novel by J. The film, based on an original screenplay, is about an ancient Egyptian mummy named Imhotep who is discovered by a team of archaeologists and inadvertently brought back to life through a magic scroll.

The site's consensus states: "Relying more on mood and atmosphere than the thrills typical of modern horror fare, Universal's The Mummy sets a masterful template for mummy-themed films to follow.

Make-up artist Jack Pierce was responsible for the look of the Mummy. After studying photos of ancient mummies, Pierce came up with the look bearing a resemblance to the mummy of Ramesses III.

Pierce began transforming Karloff at 11 a. Karloff finished his scenes by 2 a. Boris Karloff found the removal of gum from his face painful, and overall found the day "the most trying ordeal I [had] ever endured".

Jack Pierce would also come to design the Satanic make-up for Lugosi in the independently produced White Zombie In , after the release of The Mummy , Universal Pictures released two pictures.

The first one was in July. It was a murder-mystery film called The Secret of the Blue Room. The plot of the film is that, according to legend, the "blue room" inside a mansion is cursed.

Everyone who has ever spent the night there has met with an untimely end. Three men wager that each can survive a night in the forbidding room.

The film was directed by James Whale and stars Claude Rains as the titular character. The movie was based on a science fiction novel of the same name by H.

Wells published in The film has been described as a "nearly perfect translation of the spirit of the book".

The Invisible Man is known for its clever and groundbreaking visual effects by John P. Fulton , John J. Mescall and Frank D.

Williams , whose work is often credited for the success of the film. Claude Rains was claustrophobic and it was hard to breathe through the suit.

Consequently, the work was especially difficult for him, and a double, who was somewhat shorter than Rains, was sometimes used.

It stars both Boris Karloff and Bela Lugosi. It was the first of six movies Universal Pictures paired the two iconic actors together.

The Black Cat became Universal Pictures' biggest box office hit of the year and is considered by many to be the one that created and popularized the psychological horror subgenre, emphasizing on atmosphere, eerie sounds, the darker side of the human psyche, and emotions like fear and guilt to deliver its scares, something that was not used in the horror genre before.

Although it was credited the film was based om Edgar Allan Poe 's classic short story , the film actually has little to do with Poe's story.

In the film, American honeymooners in Hungary become trapped in the home of a Satan-worshiping priest when the bride is taken there for medical help following a road accident.

The film exploited a sudden public interest in psychiatry. In , Universal Pictures released four pictures from February to July.

The story revolves around an opium-addicted choirmaster who develops an obsession for a beautiful young girl and will not stop short of murder in order to have her.

The film was based on the final novel by Charles Dickens in In April , Bride of Frankenstein premiered.

It is widely regarded as one of the greatest sequels in cinematic history, with many fans and critics considering it to be an improvement on the original film.

In the film, Dr. Frankenstein, goaded by an even madder scientist, builds his monster a mate, often referred to as the Monster's Bride.

Makeup artist Jack Pierce returned to create the makeup for the Monster and his Bride. Over the course of filming, Pierce modified the Monster's makeup to indicate that the Monster's injuries were healing as the film progressed.

Actress Elsa Lanchester portrayed the Monster's Bride. The bride's conical hairdo, with its white lightning-trace streaks on each side, has become an iconic symbol of both the character and the film.

A month after the release of Bride of Frankenstein , Universal Pictures premiered the influential werewolf movie Werewolf of London , the first Hollywood mainstream movie to feature a werewolf , a creature of folklore who shape-shifts from a human into a wolf.

The film stars Henry Hull as the titular character. In the movie, he is a botanist who gets attacked by a strange animal.

The bite causes him to turn into a bloodthirsty monster. Jack Pierce created the make-up for the creature. Screenwriter and journalist Frank Nugent , writing for The New York Times , thought the film was "designed solely to amaze and horrify.

Granting that the central idea has been used before, the picture still rates the attention of action-and-horror enthusiasts.

The film was The Raven. The film was not actually a direct adaptation of the classic poem , but rather inspired from it.

In the film, a brilliant surgeon, played by Bela Lugosi, is obsessed with the writer Edgar Allan Poe.

He saves the life of a beautiful dancer but goes mad when he can't have her. Meanwhile, Boris Karloff plays a fugitive murderer on the run from the police.

The film did not do particularly well at the box office during its initial release, and indirectly led to a temporary ban on horror films in England.

At the time, it was beginning to look like the horror genre was no longer economically viable, and paired with the strict production code of the era, American filmmakers struggled to make creative works on screen, and horror eventually went out of vogue.

This proved a devastating development at the time for Lugosi, who found himself losing work and struggling to support his family.

Universal Pictures changed ownership in , and the new management was less interested in the macabre. In , Universal Pictures continued to make films for the series.

In January, the studio premiered the science fiction melodrama The Invisible Ray. The film pairs Bela Lugosi and Boris Karloff a third time.

In the film, a scientist creates a telescope-like device that captures light waves from the Andromeda Galaxy, giving him a way to view the distant past.

He and several colleagues go to Africa to locate a large, unusual meteorite that the light-waves showed fell there a billion years earlier.

After discovering that the meteorite is composed of a poisonous unknown element, "Radium X", he begins to glow in the dark, and his touch becomes deadly.

These radiation effects also begin to slowly drive him mad. Critics noted the tone of the film to be somber, dignified, and tragic.

The Invisible Ray is a morality play, particularly given the film's final lines of dialog, uttered nine years before the events of Hiroshima and Nagasaki , by Madame Rukh: "My son, you have broken the first law of science Janos Rukh is dead, but part of him will go on to eternity, working for humanity".

In May , Universal Pictures released a sequel to 's Dracula. The film was called Dracula's Daughter and stars Gloria Holden in the title role.

Dracula's Daughter doesn't feature Bela Lugosi or his character, but instead tells the story of Countess Marya Zaleska, the daughter of Count Dracula and herself a vampire.

Following Dracula's death, she believes that by destroying his body she will be free of his influence and live normally.

When this fails, she turns to a psychiatrist, played by Otto Kruger. The Countess kidnaps Janet and takes her to Transylvania, leading to a battle between Dr.

Garth and the Countess. While not as successful as the original upon its release, the film was generally well-reviewed.

In the intervening decades, criticism has been deeply divided. Contemporary critics and scholars have noted the film's strong lesbian overtones, which Universal acknowledged from the start of production and exploited in some early advertising.

Universal would completed their initial Dracula trilogy seven years later with Son of Dracula. In , Universal Pictures only released one film in the series.

The film was Night Key , a science fiction crime thriller starring Boris Karloff. In Night Key , Karloff plays an elderly inventor of a burglar alarm who attempts to get back at the man who stole the profits to his invention.

Later, his device is then subverted by gangsters who threatens him and use his own device to facilitate burglaries.

Letterboxd users call the film "a delightfully corny, old-fashioned thriller". In , Universal Pictures did not release any film related to horror, thriller, or science fiction.

Instead, they made re-releases of their previous Dracula and Frankenstein films. It was only in January , a full year and a half after the release of Night Key that the studio continued putting out original horror movies.

It stars Bela Lugosi as a mad scientist who attempts to rule the world by creating various elaborate inventions.

In a dramatic fashion, foreign agents and G-Men government men try to seize the inventions for themselves. A minute feature film version of the film, cut down from the serial's original minutes, was released for television ten years later.

The Phantom Creeps was Universal Pictures' th serial and 44th to have sound. The innovation of the scrolling text version of the synopsis at the beginning of each chapter was used for the Star Wars films as the "Star Wars opening crawl".

On January 13, , Universal Pictures released Son of Frankenstein , the third entry in the studio's Frankenstein series and the last to feature Boris Karloff as the Monster.

It is also the first to feature Bela Lugosi as Ygor. Son of Frankenstein was a reaction to the popular re-releases of Dracula and Frankenstein as double-features in In the film, one of the sons of Frankenstein finds his father's monster in a coma and revives him, only to find out he is controlled by Ygor who is bent on revenge.

Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein , in which the studio cast both stars Lugosi and Karloff again for the fourth time.

In November , Universal Pictures released their last horror film of the s with the historical and quasi-horror film, Tower of London.

Vincent Price , in only his third film, appears as George, Duke of Clarence. Tower of London is based on the traditional depiction of Richard rising to become King of England in by eliminating everyone ahead of him.

Each time Richard accomplishes a murder, he removes one figurine from a dollhouse resembling a throne room. Once he has completed his task, he now needs to defeat the exiled Henry Tudor to retain the throne.

Other studios followed Universal's lead. MGM 's controversial Freaks frightened audiences at the time, featuring characters played by people who had real deformities,.

The studio even disowned the film, and it remained banned in the United Kingdom, for 30 years. Hyde is remembered for its innovative use of photographic filters to create Jekyll's transformation before the camera.

With the progression of the genre, actors like Boris Karloff and Bela Lugosi were beginning to build entire careers in horror.

Early in the decade also, Danish director Carl Theodor Dreyer created the horror fantasy film Vampyr based on elements from J.

The German-produced sound film tells the story of Allan Gray, a student of the occult who enters a village under the curse of a vampire.

According to the book Movies You Must See Before You Die , Vampyr' s "greatness derives partly from Dreyer's handling of the vampire theme in terms of sexuality and eroticism, and partly from its highly distinctive, dreamy look.

Despite the success of The Wolf Man , by the s, Universal's monster movie formula was growing stale, as evidenced by desperate sequels and ensemble films with multiple monsters.

Eventually, the studio resorted to comedy-horror pairings, like Abbott and Costello Meet Frankenstein , which met with some success.

In the year , Universal Pictures released three movies. In January, the Vincent Price -starring The Invisible Man Returns premieres in theaters to commercial success despite its production being plagued with problems.

In September, The Mummy's Hand was released. Although it is sometimes claimed by fans as a sequel or follow-up to The Mummy , it does not continue the film's storyline, or feature any of the same characters.

At the film's release, film critic Bosley Crowther wrote for The New York Times , "It's the usual mumbo-jumbo of secret tombs in crumbling temples and salacious old high priests guarding them against the incursions of an archaeological expedition".

In December, The Invisible Woman was released. It is the third film in the Invisible Man film series. This film was more of a screwball comedy than other films in the series thus is considered a comedy more than a horror film.

The film stars Virginia Bruce in the lead role and the aging John Barrymore in a supporting role. Reviews from critics were mixed.

Two more films from the Invisible Man series would be released in the decade. The propaganda war-horror Invisible Agent , which featured a mad scientist working in secret to aid the Third Reich , and 's The Invisible Man's Revenge.

In , Universal Pictures released a reboot of sort to the studio's werewolf picture Werewolf of London which starred noted character actor Henry Hull in a quite different and more subtle werewolf makeup.

The character of Larry Talbot aka The Wolf Man is considered one of the best classic monsters in the series. The title character has had a great deal of influence on Hollywood's depictions of the legend of the werewolf.

The decade also sees the continuation of Universal Pictures ' consistent releases of horror, suspense and science fiction films.

This comes to be later known as the cult classic Universal Classic Monsters series which began in the s and would later dissipate in the s.

In this decade Lon Chaney Jr. Paramount Pictures also made horror films in the s, the most popular of which is The Uninvited. The film has been noted by contemporary film scholars as being the first film in history to portray ghosts as legitimate entities rather than illusions or misunderstandings played for comedy.

It depicts various supernatural phenomena, including disembodied voices, apparitions, and possession. MGM 's best horror genre contribution of the s would be Albert Lewin 's The Picture of Dorian Gray , which was popularly known for its interesting use of color insert to show Dorian's haunting portrait.

In , Great Britain contributed the anthology horror film Dead of Night. In the film house guests tell at least five supernatural tales, the last of which being the most remembered.

The film's last story, titled The Ventriloquist's Dummy features a ventriloquist tormented by a malevolent puppet.

The popularity of movie genres of the s were mostly film noir , melodrama and mystery. It would then arguably be a stretch to point out that some mystery and thriller films can be considered horror genre contributions of the decade.

Wes Anderson ranked it as the sixth best British film. With advances in technology, the tone of horror films shifted from the Gothic towards contemporary concerns.

A popular horror subgenre began to emerge: the Doomsday film. It is considered to be the most popular and most paranoid films from the golden age of American sci-fi cinema.

In the s, television had arrived and the theatrical market was changing. Producers and exhibitors found new, exciting and enticing ways to keep audiences in theaters.

This is how Hollywood directors and producers found ample opportunity for audience exploitation through gimmicks.

The years through is considered the "Golden Era" of 3-D movies. In a three-dimensional stereoscopic film , the audience's brains are tricked into believing the images projected onto a flat cinema screen are coming to life in full three-dimensional glory.

Those who came to see a 3-D movie inside a theater were given the familiar disposable cardboard anaglyph 3D glasses to wear which will allow them to see the images come to life.

In April , Warner Bros. The film, which stars Vincent Price , tells a story of a disfigured sculptor who repopulates his destroyed wax museum by murdering people and using their wax-coated corpses as displays.

House of Wax was the film that typecast Price as a horror icon. After the release of that film, Price would be labeled the "King of 3-D" and would later become the actor to star in the most 3D features.

The success of these two films proved that major studios now had a method of getting film-goers back into theaters and away from television sets, which were causing a steady decline in attendance.

Aside from 3-D technology, different forms of promotional gimmicks were used to entice film-goers into seeing the films in theaters.

One great example is during the screening of 's The Lost Missile , a science fiction film in which scientists try to stop a mysterious missile from destroying the Earth.

Audiences who saw the film in theaters were given "shock tags" to monitor their vitals during the movie. They were promised that anyone who would get shocked into a comatose state by the film would get a free ride home in a limousine.

Film director and producer William Castle is considered the King of the film gimmick. After directing a cavalcade of B movies low-budget commercial films for Columbia Pictures in the s, Castle set out on the independent route.

This kind of promotional gimmick would later make him famous. Of course, in actuality, a skeleton with glowing red eyes was attached to wires above the theater in order to swoop in and float above audience members' heads to parallel the action on the screen.

In the film, Price breaks the fourth wall and warns the audience that the tingler is in the theater which then prompts the built-in electric buzzers to scare audiences in their theater seats.

The s is also well known for creature feature or giant monster movies. These are usually disaster films that focuses on a group of characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones.

The monster is often created by a folly of mankind — an experiment gone wrong, the effects of radiation or the destruction of habitat.

The monster can also be from outer space, or has been on Earth for a long time with no one ever seeing it, or released or awakened from a prison of some sort where it was being held.

In monster movies, the monster is usually a villain, but can be a metaphor of humankind's continuous destruction.

Warner Bros. It then begins to wreak a path of destruction as it travels southward, eventually arriving at its ancient spawning grounds, which includes New York City.

The film is also remembered for its influential stop motion model animation created by visual effects creator Ray Harryhausen.

One of the best movies during these years was Night of the Demon Ray Harryhausen created his own form of stop motion model animation called Dynamation.

It involved photographing a miniature against a rear-projection screen through a partly masked pane of glass. The masked portion would then be re-exposed to insert foreground elements from the live footage.

The effect was to make the creature appear to move in the midst of live action. It could now be seen walking behind a live tree, or be viewed in the middle distance over the shoulder of a live actor — effects difficult to achieve before.

That scene spurred on numerous homages in many horror films [94] in subsequent years including 's A Nightmare on Elm Street 3: Dream Warriors , 's Army of Darkness and 's Game of Thrones ' Season 4 episode entitled The Children.

Japan's experience with Hiroshima and Nagasaki bore the well-known Godzilla and its many sequels , featuring mutation from the effects of nuclear radiation.

This kickstarted the tokusatsu trend known as Kaiju films , a Japanese film genre that features giant monsters, usually attacking major cities and engaging the military and other monsters in battle.

Other films in this genre that isn't about Godzilla include Rodan and The Mysterians These include Ghost-Cat of Gojusan-Tsugi , and Black Cat Mansion , which tells a story of a samurai tormented by a cat possessed by the spirits of the people she killed.

Filmmakers continued to merge elements of science fiction and horror over the following decades. The Fly is a American science fiction-horror film starring Vincent Price.

The film tells the story of a scientist who is transformed into a grotesque creature after a common house fly enters unseen into a molecular transporter he is experimenting with, resulting in his atoms being combined with those of the insect, which produces a human-fly hybrid.

It was followed by two black-and-white sequels, Return of the Fly and Curse of the Fly The original film was remade in by director David Cronenberg.

Considered a "pulp masterpiece" [96] of the s was The Incredible Shrinking Man , based on Richard Matheson 's existentialist novel.

The film tells the story of a man, who after getting exposed to a radioactive cloud, gets shrunk in height by several inches.

The film conveyed the fears of living in the Atomic Age and the terror of social alienation. It won the first Hugo Award for Best Dramatic Presentation and was named in to the National Film Registry by the Library of Congress for being "culturally, historically or aesthetically" significant.

The independently produced sci-fi film Attack of the 50 Foot Woman was made in The storyline concerns the plight of a wealthy heiress whose close encounter with an enormous alien causes her to grow into a giantess, complicating her marriage already troubled by a philandering husband.

The film has become a cult classic and is often referenced in popular culture. The United Kingdom began to emerge as a major producer of horror films around this time.

Christopher Lee starred in a number of Hammer Horror films, including The Curse of Frankenstein , which Professor Patricia MacCormac called the "first really gory horror film, showing blood and guts in colour".

Horror has been a mainstay of television programming since the s. In the book TV Horror: Investigating the Dark Side of the Small Screen , observed that television has helped shape many generations of horror fans and filmmakers because it provided them their first exposure to cinematic horror as children cowering behind their sofa or peering out from under their blanket [] In the s, multiple anthology series that feature suspenseful horror stories were broadcast on television.

The Veil is one notable anthology series that starred Boris Karloff as the horror host and characters in the episodes.

Ten of the 12 episodes begin and end with Karloff standing in front of a roaring fireplace and inviting viewers to find out what lies "behind the veil".

Hailed by critics as "the greatest television series never seen", The Veil was never broadcast.

Troubles within the studio resulted in production being cancelled after only 10 episodes were produced.

The number of episodes was considered to be too small to justify sale to a network or to syndication.

Ten episodes were released to the public in their entirety for the first time in the s, and have subsequently been released on DVD by Something Weird Video.

Premiered on October is the anthology series Alfred Hitchcock Presents which featured dramas, thrillers, mysteries. It was created, hosted, and produced by Alfred Hitchcock , who by had already directed films for over three decades.

Some of the stories in the show were original, some adaptations of writers like H. The Twilight Zone — has become a staple in horror fiction since its premiere on October Although predominantly science-fiction, the show's paranormal and Kafkaesque events leaned the show towards fantasy and horror.

The phrase "twilight zone," is used today to describe surreal experiences. An iconic episode which premiered on November 20, is Time Enough at Last which tells the story of a bank teller who yearns for more time to read and gets his wish when he becomes the sole survivor of a nuclear holocaust.

Other notable horror anthologies in the s include The Vampira Show , which was presented by Maila Nurmi , considered to be television's first horror host , dressed as her iconic campy Vampira character, and 13 Demon Street , which was hosted by Lon Chaney Jr.

Released in May , the British psychological horror thriller film, Peeping Tom by Michael Powell , is a progenitor of the contemporary " slasher film ", [] though Alfred Hitchcock cemented the subgenre with Psycho released also in the same year.

Instead, he helped pioneer the art of psychological suspense. As a result, he managed to frighten his viewers by getting to the root of their deepest fears.

France continued the mad scientist theme with the film Eyes Without a Face The story follows Parisian police in search of the culprit responsible for the deaths of young women whose faces have been mutilated.

Meanwhile, Italian horror films became internationally notable thanks to Mario Bava 's contributions. In this film, Bava turned a Russian folk legend into a beguiling fairly tale about a young doctor who finds himself stranded in a haunted community and falls for a woman whose body become possessed by a woman executed for witchcraft.

In the United States, gimmicks continued to be used to entice film-goers into theaters. They will need to search the house to find the doctor's fortune, but along with the property they have also inherited the occultist's collection of thirteen ghosts.

In , Castle made Mr. It tells the story of a man whose face becomes frozen in a horrifying grin while robbing his father's grave to obtain a winning lottery ticket.

Sardonicus in the film. Sardonicus go free or "thumbs down" if they want to punish him. Supposedly no audience ever voted for life over death, so the film continues as if the audience's majority verdict was seriously counted.

If audiences failed any of the questions they wouldn't be allowed inside the theater. The American International Pictures AIP , in the early 60s, made a series of films based on stories by Edgar Allan Poe , most of which star Vincent Price , who became well known for his performances in subsequent horror films of the time.

Robert Wise's The Haunting is considered by a great many critics, aficionados, and casual fans of the horror genre to be one of the scariest films of all time.

The film is best known for its brilliant use of canted frames, mirror reflections, fish-eye lenses and uncanny sound and image editing.

Roman Polanski made his first film in English with Repulsion , which is considered to be his scariest and most disturbing work.

Polanski's "evocations of sexual panic and masterful use of sound puts the audiences' imagination to work in numerous ways".

Horror films of the s used the supernatural premise to express the horror of the demonic. Jack Clayton's The Innocents tell the story of a governess who fears that the children she is watching over are possessed by ghosts haunting the estate they are staying.

A few years later, Roman Polanski wrote and directed Rosemary's Baby , based on the bestselling horror novel by Ira Levin.

The highly influential film tells the story of a pregnant woman who suspects that an evil cult wants to take her baby for use in their rituals.

Meanwhile, ghosts were a dominant theme in Japanese horror , in such films as Kwaidan , Onibaba both and Kuroneko Another influential American horror film of the 60s was George A.

Romero 's Night of the Living Dead Considered to be the first true zombie movie, the film began to combine psychological insights with gore.

Distancing the era from earlier gothic trends, late s films brought horror into everyday life.

Low-budget splatter films from the likes of Herschell Gordon Lewis also gained prominence in the s. Some of Lewis' notorious works include Two Thousand Maniacs!

The series centers on a group of teenagers and their dog who go to abandoned places to solve mysteries involving supposedly supernatural creatures through a series of antics and missteps.

The animated series' simple formula had a major impact on future slasher films especially of its portrayal of villains in masks.

The s began a new age for horror films with the transition from "classic" to modern horror. Horror films started to focus more on aggressiveness and ruthlessness while also focusing more on artistic qualities and societal themes.

The s was an era dominated by American horror films. Unlike the past, which was influenced heavily by European film-makers, Americans breathed a new life into the genre.

Modern horror films took the expected roles of characters in the films and changed them. This era changed the usual setting for horror films, using every-day settings.

Along with this came a change from focusing on defeating evil every time to having some instances where good fails before succeeding.

Invincible to human intervention, demons became villains in many horror films with a postmodern style and a dystopian worldview.

Its focus on the psychology of grief was unusually strong for a film featuring a supernatural horror plot.

Another notable film is The Wicker Man , a British mystery horror film dealing with the practice of ancient pagan rituals in the modern era.

In the s, Italian filmmakers Mario Bava , Riccardo Freda , Antonio Margheriti , and Dario Argento developed giallo horror films that became classics and influenced the genre in other countries.

The ideas of the s began to influence horror films in the 70s, as the youth involved in the counterculture began exploring the medium.

Romero satirized the consumer society in his zombie sequel, Dawn of the Dead Meanwhile, the subgenre of comedy horror re-emerged in the cinema with The Abominable Dr.

Also in the s, the works of the horror author Stephen King began to be adapted for the screen, beginning with Brian De Palma 's adaptation of Carrie , King's first published novel, for which the two female leads Sissy Spacek and Piper Laurie gained Oscar nominations.

Next, was his third published novel, The Shining , directed by Stanley Kubrick , which was a sleeper at the box office. At first, many critics and viewers had negative feedback toward The Shining.

However, the film is now known as one of Hollywood's most classic horror films. This psychological horror film has a variety of themes: "evil children", alcoholism, telepathy , and insanity.

This type of film is an example of how Hollywood's idea of horror started to evolve. Murder and violence were no longer the main themes of horror films.

In the s and s, psychological and supernatural horror started to take over cinema. Another classic Hollywood horror film is Tobe Hooper 's Poltergeist Poltergeist is ranked the 20th scariest movie ever made by the Chicago Film Critics Association.

Both The Shining and Poltergeist involve horror being based on real-estate values. The evil and horror throughout the films come from where the movies are taking place.

The Amityville Horror is a supernatural horror film directed by Stuart Rosenberg , based on Jay Anson 's book of the same name.

It stars James Brolin and Margot Kidder as a young couple who purchase a home they come to find haunted by combative supernatural forces.

The Changeling is a Canadian supernatural psychological horror film directed by Peter Medak. Steven Spielberg 's shark horror film, Jaws , began a new wave of killer animal stories, such as Orca and Up from the Depths Jaws is often credited as being one of the first films to use traditionally B movie elements such as horror and mild gore in a big-budget Hollywood film.

In , Don Coscarelli 's Phantasm was the first of the Phantasm series. A cycle of slasher films began in the s and s with the creation of Halloween by John Carpenter.

Another notable s slasher films are Bob Clark 's Black Christmas Sleepaway Camp is known for its twist ending , which is considered by some to be one of the most shocking endings among horror films.

My Bloody Valentine is a slasher film dealing with Valentine's Day fiction. The boom in slasher films provided enough material for numerous comedic spoofs of the genre including Saturday the 14th , Student Bodies , National Lampoon's Class Reunion , and Hysterical This subgenre would be mined by dozens of increasingly violent movies throughout the subsequent decades.

Sean S. Some films explored urban legends such as " The babysitter and the man upstairs ". Alien , a British-American science-fiction horror film directed by Ridley Scott was very successful, receiving both critical acclaim and being a box office success.

John Carpenter's movie The Thing was also a mix of horror and sci-fi, but it was neither a box-office nor critical hit, but soon became a cult classic.

However, nearly 20 years after its release, it was praised for using ahead-of-its-time special effects and paranoia. The s saw a wave of gory "B movie" horror films — although most of them were poorly reviewed by critics, many became cult classics and later saw success with critics.

A significant example is Sam Raimi 's Evil Dead movies, which were low-budget gorefests but had a very original plotline which was later praised by critics.

The horror anthology film spawned a series of films in the country over the subsequent decades. Day of the Dead is a horror film written and directed by George A.

Romero and the third film in Romero's Night of the Living Dead series. Vampire horror was also popular in the s, including cult vampire classics such as Fright Night , The Lost Boys , and Near Dark also In , Joe Dante 's seminal monster comedy horror Gremlins became a box office hit with critics and audiences, and inspired a trend of "little monster" films such as Critters and Ghoulies.

Several science fiction action horror movies were released in the s, notably Aliens and Predator Notable comedy horror films of the s include Re-Animator , and Night of the Creeps Henry: Portrait of a Serial Killer is a psychological horror crime film directed and co-written by John McNaughton about the random crime spree of a serial killer who seemingly operates with impunity.

Pumpkinhead is a dark fantasy horror film, which is the directorial debut of special effects artist Stan Winston.

In the late s, the horror genre suffered in the television market. Most viewers leaned toward safe material, [] such as soap operas, sitcoms, and fictional tellings of real-life events, and any horror content that did air on television suffered from network censorship, commercial breaks, low budgets, and "cheesy execution.

In the first half of the s, the genre still contained many of the themes from the s. The slasher films, A Nightmare on Elm Street , Friday the 13th , Halloween , and Child's Play , all saw sequels in the s, most of which met with varied amounts of success at the box office, but all were negatively reviewed by critics, with the exception of Wes Craven's New Nightmare , and the hugely successful film, The Silence of the Lambs The latter, which stars Jodie Foster and Anthony Hopkins , is considered a major horror movie of all times.

Each film touched upon the relationship between fictional horror and real-world horror. Candyman , for example, examined the link between an invented urban legend, and the realistic horror of the racism that produced its villain.

In the Mouth of Madness took a more literal approach, as its protagonist actually hopped from the real world into a novel created by the madman he was hired to track down.

This reflective style became more overt and ironic with the arrival of Scream In Interview with the Vampire , the "Theatre de Vampires" and the film itself, to some degree invoked the Grand Guignol style, perhaps to further remove the undead performers from humanity, morality and class.

The horror movie soon continued its search for new and effective frights. In the novel, The Vampire Lestat , by the author Anne Rice who penned Interview with the Vampire ' s screenplay and the novel of the same name suggests that its antihero Lestat inspired and nurtured the Grand Guignol style and theatre.

Two main problems pushed horror backward during this period: firstly, the horror genre wore itself out with the proliferation of nonstop slasher and gore films in the eighties.

Secondly, the adolescent audience which feasted on the blood and morbidity of the previous decade grew up, and the replacement audience for films of an imaginative nature were being captured instead by the explosion of science-fiction and fantasy films, courtesy of the special effects possibilities with advances made in computer-generated imagery.

To re-connect with its audience, horror became more self-mockingly ironic and outright parodic , especially in the latter half of the s.

Peter Jackson's Braindead known as Dead Alive in the United States took the splatter film to ridiculous excesses for comic effect.

Wes Craven's Scream written by Kevin Williamson movies, starting in , featured teenagers who were fully aware of, and often made reference to, the history of horror movies, and mixed ironic humour with the shocks despite Scream 2 and Scream 3 utilising less use of the humour of the original, until Scream 4 in , and rather more references to horror film conventions.

The Sixth Sense is a supernatural horror film written and directed by M. Night Shyamalan , which tells the story of Cole Sear Haley Joel Osment , a troubled, isolated boy who is able to see and talk to the dead, and an equally troubled child psychologist named Malcolm Crowe Bruce Willis who tries to help him.

It is a remake of the film of the same title. Monster horror was quite popular in the s. Tremors is the first installment of the Tremors series.

Lake Placid is another monster horror film, written by David E. Kelley and directed by Steve Miner. Another successful horror film is Ring , a Japanese supernatural psychological horror film about a cursed video tape, after the person watches it, the phone rings, and someone tells them that they will die in seven days, directed by Hideo Nakata.

Around this period, Japanese horror started becoming popular in English speaking countries. In South Korea, the success of supernatural horror film Whispering Corridors by Park Ki-hyung, sparked the explosion of Korean horror.

The film The Last Broadcast served as inspiration for the highly successful The Blair Witch Project , which popularized the found footage horror subgenre.

The theme of witchcraft was also addressed in The Witches , starring Anjelica Huston , and The Craft , a supernatural horror film directed by Andrew Fleming.

Wolf is a romantic horror film following the transformation of a man Jack Nicholson into a werewolf.

Ravenous starring Guy Pearce and directed by Antonia Bird is a "quirky" [] and gruesome movie based on the real life horror story of the Donner party that got stranded in the Sierra Nevada mountains in due to snow.

The decade started with American Psycho directed by Mary Harron starring Christian Bale as a charismatic serial killer and Manhattan business mogul.

The movie was highly controversial when released and remains a cult classic today. The film received mixed reviews from critics.

By contrast, Valentine was a conventional horror film. It had some success at the box office, but was derided by critics for being formulaic and relying on foregone horror film conventions.

The Others was hugely successful, winning and being further nominated for many awards. It is a English-language Spanish gothic supernatural psychological horror film.

Shaun of the Dead. CinemaxX Berlin. Leihen oder Kaufen click Militärfilm 5. After Midnight. Japan-Monster-Film Verleih Szene aus "Ring". filme horor Review of Werewolf of London ". Day of the Dead is a horror film written and directed die unglaubliche reise in verrГјckten stream George A. Universal Studios". Journal of Popular Film https://stockholmboulefestival.se/filme-stream-deutsch/western-world.php Television. AMC Film Site. Buy, rent or watch 'Invasion of the Body Https://stockholmboulefestival.se/4k-filme-stream-kostenlos/alle-stgrung.php. List of alternate history fiction Retrofuturism Sidewise Award Writers.

1 Comments

  • Gurn says:

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