Orson Welles Inhaltsverzeichnis
George Orson Welles war ein US-amerikanischer Hörspiel-, Film- und Theaterregisseur, Schauspieler und Autor. Obwohl viele seiner Projekte nie verwirklicht wurden oder unvollendet blieben, gilt Welles als einer der künstlerisch einflussreichsten. George Orson Welles (* 6. Mai in Kenosha, Wisconsin; † Oktober in Los Angeles, Kalifornien) war ein US-amerikanischer Hörspiel-, Film- und. Ich & Orson Welles (Originaltitel: Me and Orson Welles) ist ein Filmdrama aus dem Jahr Der von Richard Linklater inszenierte Film basiert auf dem. Freddie Gillette war Chauffeur, Koch und Vertrauter des Filmtitanen Orson Welles. Er war es, der ihn tot im Badezimmer fand. Nun ist Freddie. Dass Orson Welles' begonnener Film "The Other Side of the Wind" noch einmal zu Ende gedreht werden würde, hatte kaum jemand für.
orson welles filme. George Orson Welles war ein US-amerikanischer Hörspiel-, Film- und Theaterregisseur, Schauspieler und Autor. Obwohl viele seiner Projekte nie verwirklicht wurden oder unvollendet blieben, gilt Welles als einer der künstlerisch einflussreichsten. George Orson Welles (* 6. Mai in Kenosha, Wisconsin; † Oktober in Los Angeles, Kalifornien) war ein US-amerikanischer Hörspiel-, Film- und.
Orson Welles VideoOrson Welles - War Of The Worlds - Radio Broadcast 1938 - Complete Broadcast.
Orson Welles Der Mann, der den toten Orson Welles fandÜber ein paar Dutzend besorgte Anrufe bei der Polizei ging https://stockholmboulefestival.se/filme-stream-hd-deutsch/entzgndetes-tattoo.php wohl nicht hinaus. Dann kamen weitere Sondermeldungen. Datum Das Filmmuseum widmet Orson Welles ab 8. Video Wiederöffnungen Die deutsche Gastronomie funktioniert noch lange nicht reibungslos. Ein deutscher Wiedergänger. Vom Theateralltag see more Neid, Missgunst und Konkurrenzkampf wird hier zu wenig gezeigt. Welles drehte viele Crucifixion Material. Der Film wurde nicht kinnox. Deutschlands führende Nachrichtenseite. Alles Wichtige aus Politik, Wirtschaft, Sport, Kultur, Wissenschaft, Technik und mehr. [ ] In ihrem neuen Roman erzählt Carmen Stephan von einem großen Geheimnis aus dem Leben von Orson Welles. Brasilien, Nordosten, Vier Männer. von Ergebnissen oder Vorschlägen für "Orson Welles". Überspringen und zu Haupt-Suchergebnisse gehen. Amazon Prime. GRATIS-Versand durch. Innovative film and theater director, radio producer, actor, writer, painter, narrator, and magician, Orson Welles (–) was the last true Renaissance man. Mai würde Orson Welles seinen Geburtstag feiern. Der Schauspieler, Autor und Regisseur wurde im US-Bundesstaat Wisconsin geboren. Er starb am.
Et puis il y a le montage de La Splendeur des Amberson qui a rendu furieux Welles. Je l'ai fait pour prouver que je pouvais tourner un film comme tout le monde.
Le film ne sort qu'en mai Non seulement ce film a deux titres voire trois , mais aussi cinq versions en salle [ 83 ].
L'histoire du tournage est aussi complexe que celle d' Othello. Le film est une coproduction hispano-suisse avec un tournage en anglais dans les environs de Barcelone entre l'hiver et le printemps Le film ne voit jamais le jour.
Mais il n'est pas tendre avec certains de ses pairs. Pour les articles homonymes, voir Welles. Orson Welles.
Votre aide est la bienvenue! Comment faire? Je n'ai pas vu Lolita , mais je crois que Kubrick peut tout faire. Bazin , p.
Le grand diptyque". No stranger to shooting on found locations, Welles soon filmed the interiors in the Gare d'Orsay , at that time an abandoned railway station in Paris.
Welles thought the location possessed a " Jules Verne modernism" and a melancholy sense of "waiting", both suitable for Kafka.
To remain in the spirit of Kafka Welles set up the cutting room together with the Film Editor, Frederick Muller as Fritz Muller , in the old un-used, cold, depressing, station master office.
The film failed at the box-office. Peter Bogdanovich would later observe that Welles found the film riotously funny.
Welles also told a BBC interviewer that it was his best film. If I wanted to get into heaven on the basis of one movie, that's the one I would offer up.
The film had a successful run in French theaters. At this time Welles met Oja Kodar again, and gave her a letter he had written to her and had been keeping for four years; they would not be parted again.
They immediately began a collaboration both personal and professional. Unfortunately, funding disappeared after one day's shooting.
After completing this film, he appeared in a brief cameo as Cardinal Wolsey in Fred Zinnemann 's adaptation of A Man for All Seasons —a role for which he won considerable acclaim.
Personally financed by Welles and Kodar, they could not obtain the funds to complete the project, and it was abandoned a few years later after the death of Harvey.
The surviving footage was eventually edited and released by the Filmmuseum München. In Welles called again the Film Editor Frederick Muller to work with him re-editing the material and they set up cutting rooms at the Safa Palatino Studios in Rome.
Without funding, the show was not completed. The surviving film clips portions were eventually released by the Filmmuseum München.
In , Welles authorized the use of his name for a cinema in Cambridge, Massachusetts. The Orson Welles Cinema remained in operation until , with Welles making a personal appearance there in Drawn by the numerous offers he received to work in television and films, and upset by a tabloid scandal reporting his affair with Kodar, Welles abandoned the editing of Don Quixote and moved back to America in Welles returned to Hollywood, where he continued to self-finance his film and television projects.
While offers to act, narrate and host continued, Welles also found himself in great demand on television talk shows. Welles's primary focus during his final years was The Other Side of the Wind , a project that was filmed intermittently between and Co-written by Welles and Oja Kodar, it is the story of an aging film director John Huston looking for funds to complete his final film.
Financed by Iranian backers, ownership of the film fell into a legal quagmire after the Shah of Iran was deposed. The legal disputes kept the film in its unfinished state until early , and was finally released in November In , Welles directed a short adaptation of Moby-Dick , a one-man performance on a bare stage, reminiscent of his stage production Moby Dick—Rehearsed.
Never completed, it was eventually released by the Filmmuseum München. He also appeared in Ten Days' Wonder , co-starring with Anthony Perkins and directed by Claude Chabrol who reciprocated with a bit part as himself in Other Wind , based on a detective novel by Ellery Queen.
That same year, the Academy of Motion Picture Arts and Sciences gave him an Academy Honorary Award "for superlative artistry and versatility in the creation of motion pictures.
In his speech, Huston criticized the Academy for presenting the award while refusing to support Welles' projects. In , Welles acted as on-screen narrator for the film documentary version of Alvin Toffler 's book Future Shock.
This was the last time he played the lead role in a major film. Welles also contributed to the script, his writing credit was attributed to the pseudonym 'O.
In some versions of the film Welles's original recorded dialog was redubbed by Robert Rietty. An excerpt of Welles's s War of the Worlds broadcast was recreated for this film; however, none of the dialogue heard in the film actually matches what was originally broadcast.
Welles filmed a five-minute trailer, rejected in the U. Welles hosted a British syndicated anthology series, Orson Welles's Great Mysteries , during the —74 television season.
His brief introductions to the 26 half-hour episodes were shot in July by Gary Graver. Gilroy was signed to write the television script and direct the TV movie on the assurance that Welles would star, but by April Welles had bowed out.
Made for West German television, it was also released in theaters. Unable to find network interest, the pilot was never broadcast.
Beginning in the late s, Welles participated in a series of famous television commercial advertisements. For two years he was on-camera spokesman for the Paul Masson Vineyards, [d] and sales grew by one third during the time Welles intoned what became a popular catchphrase: "We will sell no wine before its time.
As money ran short, he began directing commercials to make ends meet, including the famous British "Follow the Bear" commercials for Hofmeister lager.
Interviewed by Leslie Megahey, Welles examined his past in great detail, and several people from his professional past were interviewed as well.
Welles provided narration for the tracks "Defender" from Manowar 's album Fighting the World and "Dark Avenger" on their album, Battle Hymns.
He also recorded the concert introduction for the live performances of Manowar that says, "Ladies and gentlemen, from the United States of America, all hail Manowar.
Another project he worked on was Filming The Trial , the second in a proposed series of documentaries examining his feature films.
While much was shot for these projects, none of them was completed. All of them were eventually released by the Filmmuseum München.
In , Welles narrated the short-lived television series Scene of the Crime. During the early years of Magnum, P. Welles's death forced this minor character to largely be written out of the series.
In an oblique homage to Welles, the Magnum, P. The last film roles before Welles's death included voice work in the animated films Enchanted Journey and The Transformers: The Movie , in which he played the planet-eating robot Unicron.
His last film appearance was in Henry Jaglom 's independent film Someone to Love , released two years after his death but produced before his voice-over in Transformers: The Movie.
His last television appearance was on the television show Moonlighting. He recorded an introduction to an episode entitled "The Dream Sequence Always Rings Twice", which was partially filmed in black and white.
The episode aired five days after his death and was dedicated to his memory. Orson Welles and Chicago-born actress and socialite Virginia Nicolson — were married on November 14, Their relationship came to an end due, among other things, to Welles's infidelities.
Welles married Rita Hayworth on September 7, The couple began a passionate affair, and they were married at her parents' insistence.
Croatian-born artist and actress Oja Kodar became Welles's longtime companion both personally and professionally from onward, and they lived together for some of the last 20 years of his life.
Lindsay-Hogg knew Welles, worked with him in the theatre and met him at intervals throughout Welles's life. In his autobiography, Lindsay-Hogg reported that his questions were resolved by his mother's close friend Gloria Vanderbilt , who wrote that Fitzgerald had told her that Welles was his father.
McKerrow's reactions to the revelation and his meeting with Oja Kodar are documented in the film Prodigal Sons.
Despite an urban legend promoted by Welles, [f] [g] he was not related to Abraham Lincoln 's wartime Secretary of the Navy, Gideon Welles.
The myth dates back to the first newspaper feature ever written about Welles—"Cartoonist, Actor, Poet and only 10"—in the February 19, , issue of The Capital Times.
The article falsely states that he was descended from "Gideon Welles, who was a member of President Lincoln's cabinet".
Peter Noble's biography describes Welles as "a magnificent figure of a man, over six feet tall, handsome, with flashing eyes and a gloriously resonant speaking-voice".
Even as a baby, Welles was prone to illness, including diphtheria , measles , whooping cough , and malaria.
From infancy he suffered from asthma , sinus headaches, and backache  : 8 that was later found to be caused by congenital anomalies of the spine.
Foot and ankle trouble throughout his life was the result of flat feet. In , at age 13, Welles was already more than six feet tall 1.
By summer , when he was 34, his weight had crept up to a stout pounds In , he ballooned from to pounds After , he remained permanently obese.
When Peter Bogdanovich once asked him about his religion, Welles gruffly replied that it was none of his business, then misinformed him that he was raised Catholic.
Although the Welles family was no longer devout, it was fourth-generation Protestant Episcopalian and, before that, Quaker and Puritan.
The funeral of Welles's father, Richard H. Welles, was Episcopalian. In April , when interviewer Merv Griffin asked him about his religious beliefs, Welles replied, "I try to be a Christian.
I don't pray really, because I don't want to bore God. Welles replied, "Please tell him I really appreciate that offer, but I am an atheist.
Welles was politically active from the beginning of his career. He remained aligned with the left throughout his life,  and always defined his political orientation as " progressive ".
He was an outspoken critic of racism in the United States and the practice of segregation. Roosevelt and the New Deal and often spoke out on radio in support of progressive politics.
Wallace for the Progressive Party , however, later describing Wallace as "a prisoner of the Communist Party. He wasn't alone. He was hiking across the Austrian hiking country with a teacher who happened to be a budding Nazi.
Near Innsbruck he attended a meeting run by a man who ran the antisemitic propaganda newspaper Der Sturmer named Julius Streicher.
He happened to be seated next to Adolf Hitler. He said that Hitler made no impression on him at all and doesn't remember him.
He said that he had no personality at all: "He was invisible. There was nothing there until there were 5, people yelling sieg heil".
For several years, he wrote a newspaper column on political issues and considered running for the U. Senate in , representing his home state of Wisconsin—a seat that was ultimately won by Joseph McCarthy.
Welles's political activities were reported on pages — of Red Channels , the anti-Communist publication that, in part, fueled the already flourishing Hollywood Blacklist.
In , Welles narrated but did not write a satirical political record on the rise of President Richard Nixon titled The Begatting of the President.
Welles died sometime on the morning of October 10, following a heart attack. Welles was cremated by prior agreement with the executor of his estate, Greg Garrison ,  : whose advice about making lucrative TV appearances in the s made it possible for Welles to pay off a portion of the taxes he owed the IRS.
Chris Welles Feder later described the funeral as an awful experience. He wanted no memorial services But if the while I think on thee, dear friend, All losses are restored and sorrows end.
Welles's reliance on self-production meant that many of his later projects were filmed piecemeal or were not completed.
Welles financed his later projects through his own fundraising activities. He often also took on other work to obtain money to fund his own films.
Welles expanded the film to feature length, developing the screenplay to take Quixote and Sancho Panza into the modern age.
Filming stopped with the death of Francisco Reiguera , the actor playing Quixote, in Orson Welles continued editing the film into the early s.
At the time of his death, the film remained largely a collection of footage in various states of editing. The project and, more important, Welles's conception of the project changed radically over time.
A version Oja Kodar supervised, with help from Jess Franco, assistant director during production, was released in to poor reviews.
When asked in by a journalist of Time Out for his opinion, he said that he felt that if released without image re-editing but with the addition of ad hoc sound and music, it probably would have been rather successful.
The film relates the efforts of a film director played by John Huston to complete his last Hollywood picture and is largely set at a lavish party.
In director Peter Bogdanovich , who acted in the film, announced his intention to complete the production. On October 28, , Los Angeles-based production company Royal Road Entertainment announced it had negotiated an agreement, with the assistance of producer Frank Marshall , and would purchase the rights to complete and release The Other Side of the Wind.
Bogdanovich and Marshall planned to complete Welles's nearly finished film in Los Angeles, aiming to have it ready for screening May 6, , the th anniversary of Welles's birth.
They reached an agreement with Oja Kodar, who inherited Welles's ownership of the film, and Beatrice Welles, manager of the Welles estate;  but at the end of , efforts to complete the film were at an impasse.
In March , Netflix acquired distribution rights to the film. On November 2, , the film debuted in select theaters and on Netflix , forty-eight years after principal photography began.
Too Much Johnson is a comedy film written and directed by Welles. Designed as the cinematic aspect of Welles's Mercury Theatre stage presentation of William Gillette 's comedy, the film was not completely edited or publicly screened.
Too Much Johnson was considered a lost film until August , with news reports that a pristine print had been discovered in Italy in Heart of Darkness was Welles's projected first film, in It was planned in extreme detail and some test shots were filmed; the footage is now lost.
It was planned to be entirely shot in long takes from the point of view of the narrator, Marlow , who would be played by Welles; his reflection would occasionally be seen in the window as his boat sailed down river.
The project was abandoned because it could not be delivered on budget, and Citizen Kane was made instead. Santa was adapted from the novel by Mexican writer Federico Gamboa.
Welles made a correction of the script in 13 extraordinary sequences. The film was a movie version of the novel by the same name by Calder Marshall.
Welles planned to shoot in Mexico, but the Mexican government had to approve the story, and this never occurred.
In , Welles received the support of Bishop Fulton Sheen for a retelling of the life of Christ, to be set in the American West in the s.
Welles wrote a screenplay with dialogue from the Gospels of Mark, Matthew, and Luke. Welles did not originally want to direct It's All True , a documentary about South America, but after its abandonment by RKO, he spent much of the s attempting to buy the negative of his material from RKO, so that he could edit and release it in some form.
The footage remained unseen in vaults for decades, and was assumed lost. Over 50 years later, some but not all of the surviving material saw release in the documentary It's All True: Based on an Unfinished Film by Orson Welles.
In , Welles wrote the first-draft script of Monsieur Verdoux , a film that he also intended to direct. Charlie Chaplin initially agreed to star in it, but later changed his mind, citing never having been directed by someone else in a feature before.
Chaplin bought the film rights and made the film himself in , with some changes. The final film credits Chaplin with the script, "based on an idea by Orson Welles".
Welles spent around nine months around —48 co-writing the screenplay for Cyrano de Bergerac along with Ben Hecht , a project Welles was assigned to direct for Alexander Korda.
He began scouting for locations in Europe whilst filming Black Magic , but Korda was short of money, so sold the rights to Columbia pictures, who eventually dismissed Welles from the project, and then sold the rights to United Artists , who in turn made a film version in , which was not based on Welles's script.
After Welles's elaborate musical stage version of this Jules Verne novel, encompassing 38 different sets, went live in , Welles shot some test footage in Morocco in for a film version.
The footage was never edited, funding never came through, and Welles abandoned the project. Nine years later, the stage show's producer Mike Todd made his own award-winning film version of the book.
Using bare, minimalist sets, Welles alternated between a cast of nineteenth-century actors rehearsing a production of Moby Dick , with scenes from Moby Dick itself.
Kenneth Williams , a cast member who was apprehensive about the entire project, recorded in his autobiography that Welles's dim, atmospheric stage lighting made some of the footage so dark as to be unwatchable.
The entire play was filmed, but is now presumed lost. This was made during one weekend at the Hackney Empire theater. The producers of Histoires extraordinaires , a anthology film based on short stories by Edgar Allan Poe , announced in June that Welles would direct one segment based on both " Masque of the Red Death " and " The Cask of Amontillado " for the omnibus film.
Welles withdrew in September and was replaced. This Monty Python -esque spoof in which Welles plays all but one of the characters including two characters in drag , was made around Welles intended this completed sketch to be one of several items in a television special on London.
Welles wrote two screenplays for Treasure Island in the s, and was eager to seek financial backing to direct it.
His plan was to film it in Spain in concert with Chimes at Midnight. Welles intended to play the part of Long John Silver. About 70 percent of the Chimes at Midnight cast would have had roles in Treasure Island.
However, funding for the project fell through. Jeeves was further rewritten, and formed the basis of the film version directed by John Hough , in which Welles played Long John Silver.
The Deep , an adaptation of Charles Williams 's Dead Calm , was entirely set on two boats and shot mostly in close-ups. It was filmed off the coasts of Yugoslavia and the Bahamas between and , with all but one scene completed.
It was originally planned as a commercially viable thriller, to show that Welles could make a popular, successful film.
It was abandoned altogether in , perhaps due to the death of its star Laurence Harvey. In a interview, Oja Kodar blamed Welles's failure to complete the film on Jeanne Moreau's refusal to participate in its dubbing.
Dune , an early attempt at adapting Frank Herbert 's sci-fi novel by Chilean film director Alejandro Jodorowsky , was to star Welles as the evil Baron Vladimir Harkonnen.
Jodorowsky had personally chosen Welles for the role, but the planned film never advanced past pre-production. Hugh Hefner and Bogdanovich's then-partner Cybill Shepherd were both attached to the project as producers, with Hefner providing finance through his Playboy productions.
However, both Hefner and Shepherd became convinced that Bogdanovich himself would be a more commercially viable director than Welles, and insisted that Bogdanovich take over.
Since Bogdanovich was also in need of work after a series of box office flops, he agreed. When the film was finally made in by Bogdanovich and Hefner but without Welles or Shepherd's participation , Welles felt betrayed and according to Bogdanovich the two "drifted apart a bit".
After the success of his film Filming Othello made for West German television, and mostly consisting of a monolog to the camera, Welles began shooting scenes for this follow-up film, but never completed it.
The footage was kept by Welles's cinematographer Gary Graver , who donated it to the Munich Film Museum, which then pieced it together with Welles's trailer for the film, into an minute film which is occasionally screened at film festivals.
Both the Welles script and the film center on a U. Presidential hopeful in his 40s, his elderly mentor—a former candidate for the Presidency, brought low by homosexual scandal—and the Italian journalist probing for the truth of the relationship between these men.
During the last years of his life, Welles struggled to get financing for the planned film; however, his efforts at casting Jack Nicholson , Robert Redford , Warren Beatty , Clint Eastwood , Burt Reynolds and Paul Newman as the main character were unsuccessful.
All of the actors turned down the role for various reasons. In , Welles wrote the screenplay for a film he planned to direct, an autobiographical drama about the staging of The Cradle Will Rock.
However, Welles was unable to acquire funding. Tim Robbins later directed a similar film , but it was not based on Welles's script.
At the time of his death, Welles was in talks with a French production company to direct a film version of the Shakespeare play King Lear , in which he would also play the title role.
Welles flew to Paris to discuss the project personally with the Russian author. From Wikipedia, the free encyclopedia.
This article is about the American actor and filmmaker. For the spider, see Orsonwelles. American actor, director, writer and producer.
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Please discuss this issue on the article's talk page. April Welles on March 1, age 21 , photographed by Carl Van Vechten.
Kenosha, Wisconsin , U. Los Angeles, California , U. Actor director writer producer. Welles's birthplace in Kenosha, Wisconsin Main article: Orson Welles theatre credits.
Macbeth Horse Eats Hat Faustus Macbeth Jack Carter , left with the Murderers in Macbeth Houseman left and Welles at a rehearsal of Horse Eats Hat At age 22 Welles was Broadway's youngest impresario — producing, directing and starring in an adaptation of Julius Caesar that broke all performance records for the play Main article: Mercury Theatre.
Main article: Orson Welles radio credits. Citizen Kane Welles in Citizen Kane Main article: Citizen Kane. Main article: The Magnificent Ambersons film.
Main article: Journey into Fear film. Main article: It's All True film. Welles and Col. Arthur I. Welles leaves his Army physical after being judged unfit for military service May 6, Main article: The Mercury Wonder Show.
Welles introduced Vice President Henry A. Roosevelt September 21, Transcription disc label for a Command Performance broadcast featuring Welles May 17, .
Main article: The Stranger film. Main article: Around the World musical. Main article: The Lady from Shanghai. Main article: Macbeth film.
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Main article: Othello film. Main article: Mr. Main article: Touch of Evil. Main article: The Trial film.
Main article: Chimes at Midnight. Play media. Paola Mori and Welles, days before their marriage May Main article: Don Quixote unfinished film.
Main article: The Merchant of Venice film. Main article: The Other Side of the Wind. Main article: Orson Welles filmography. Main article: Orson Welles discography.
The National Board of Review recognized both Welles and George Coulouris for their performances in Citizen Kane , which was also voted the year's best film.
Welles had changed the spelling of his surname by the time of the Federal Census, when he was living at Rudolphsheim , the Kenosha mansion built by his mother Mary Head Wells and her second husband, Frederick Gottfredsen.
France notes the inscription on the plaque: "Ronda. Al Maestro de Maestros. Twenty-four groups, ranging from Thespians of years' experience to child actors, are on the schedule.
Although most of the program will be played during July and August, the contest opened several days ago with the Todd School for Boys, of Woodstock, Ill.
The Todd boys were the cup winners. Oxford Reference. Retrieved March 21, The New York Times , October 11, Retrieved May 15, Jefferson, N.
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Los Angeles Times. The Baltimore Sun. Paramount bought the entire set of Nero Wolfe stories for Orson Welles, who is enjoying a renaissance of popularity in Hollywood and the world.